A Quote by Marvin Ammori

If someone has copyright over some piece of your stuff, you can sell it without permission from the copyright holder because the copyright holder can only control the 'first-sale.' The Supreme Court has recognized this doctrine since 1908.
We established a regime that left creativity unregulated. Now it was unregulated because copyright law only covered "printing." Copyright law did not control derivative work. And copyright law granted this protection for the limited time of 14 years.
I named my software 'EMAIL,' (a term never used before in the English language), and I even received the first U.S. Copyright for that software, officially recognizing me as The Inventor of Email, at a time when Copyright was the only way to recognize software inventions, since the U.S. Supreme Court was not recognizing software patents.
Under the 1998 Digital Millennium Copyright Act, Tumblr, YouTube, Reddit, WordPress, and Facebook aren't responsible for the copyright infringement of each of their millions of users, so long as they take down specific posts, videos, or images when notified by copyright holders. But copyright holders thought that wasn't good enough.
But here's the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.
Copyright and Trademark are completely different things. Copyright prevents anyone from copying this article and posting it somewhere else. Copyright happens instantaneously the moment I write something down that is unique and from my brain. Trademarks are far more restrictive.
All artists are protected by copyright... and we should be the first to respect copyright.
We live in a world with "free" content, and this freedom is not an imperfection. We listen to the radio without paying for the songs we hear; we hear friends humming tunes that they have not licensed. We tell jokes that reference movie plots without the permission of the directors. We read our children books, borrowed from a library, without paying the original copyright holder for the performance rights.
The Digital Millennium Copyright Act indemnifies Internet Service Providers (ISP) such as Harvard from copyright abuses committed over their computer networks.
If you create something, you don't want someone else to go and profit from it; you have your right to make a living and everything. So I respect copyright. What I don't respect is copyright extremism. And I what I don't respect is a business model that encourages piracy.
The crystal ball has a question mark in its center. There are some fundamental choices to be made. We will either choose to continue to wage a hopeless war to preserve the existing architecture for copyright by upping the stakes and using better weapons to make sure that people respect it. If we do this, public support for copyright will continue to weaken, pushing creativity underground and producing a generation that is alienated from the copyright concept.
I think the reality is that copyright law has for a very long time been a tiny little part of American jurisprudence, far removed from traditional First Amendment jurisprudence, and that made sense before the Internet. Now there is an unavoidable link between First Amendment interests and the scope of copyright law. The legal system is recognizing for the first time the extraordinary expanse of copyright regulation and its regulation of ordinary free-speech activities.
Unfortunately, nothing is ever that simple in copyright law, and when it comes to music copyright, it's especially convoluted.
There are so many items that are not in the copyright domain. And people might not realize the Library of Congress manages the copyright process for the nation.
The marketplace can handle this. The laws are there. The courts have shown a consistent ability to find a balance between copyright owners and copyright users.
Copyright's democratising effect is seen most clearly in the music business. Anyone who can speak, sing, rap or hum and operate a simple sound recorder can create a copyright song. Imagination is the only limit.
The primary objective of copyright is not to reward the labor of authors, but ‘[t]o promote the Progress of Science and useful Arts.' To this end, copyright assures authors the right to their original expression, but encourages others to build freely upon the ideas and information conveyed by a work. This result is neither unfair nor unfortunate. It is the means by which copyright advances the progress of science and art.
This site uses cookies to ensure you get the best experience. More info...
Got it!