A Quote by Mary Alice Monroe

Southern writing is regional: it includes dialect, settings, and cultural traditions from that region. However the themes and story conflicts are universal. My challenge is to write regional fiction without falling into the trap of nostalgia. There are important issues facing the south that I believe should be raised in the stories to make them contemporary, believable, and relevant to today's readers.
See in old days, there were only two parties nationally, Congress and BJP... Now there are regional leaders. Time has come to pick up regional leaders in these national parties and build political campaign around them who can challenge regional parties.
Currently, I bowl regional tournaments out of the PBA Southern Region.
I don't write non-fiction because I get bored. Some of my writing is autobiographical, but not the way readers imagine. I use my memory of settings, events and people. I weave history into my stories, but my narratives are made up.
I think often people don't realize the great diversity of Southern writing because in their minds, if you're not from the South, it can seem regional and small, and of course that's not the case at all when you start to read the work.
Now it is time to make historic reassessments in order to transform our region into one of stability, freedom, prosperity, cultural revival and co-existence. In this new regional order there should be less violence and fewer barriers between countries, societies and sects.
I think regional parties are very important if they fulfil regional aspirations.
The developing coherence of Asian regional thinking is reflected in a disposition to consider problems and loyalties in regional terms, and to evolve regional approaches to development needs and to the evolution of a New World Order.
The Appalachian Regional Commission is a key funding tool for addressing the unique challenges facing our Appalachian region.
I love learning about different dialects and I own all sorts of regional and time-period slang dictionaries. I often browse through relevant ones while writing a story. I also read a lot of diaries and oral histories.
In a sense, what we do with the regional development agencies is to give them resources to look at the deficiencies in the economy in the regional areas, so they can address themselves to that.
In science there is a dictum: don't add an experiment to an experiment. Don't make things unnecessarily complicated. In writing fiction, the more fantastic the tale, the plainer the prose should be. Don't ask your readers to admire your words when you want them to believe your story.
The last story you should write is the most important story. You should start with a story that is just an amusing, entertaining, fun story to write and learn your writing chops with the least important things before you start applying them to the most important things.
I love outsider stories. And I also like a lot of genre fiction, too. So I wanted to write a literary book that flirted with thriller and fantasy and even science fiction. I wanted the coming-of-age story and the love story to be about "outsiderdom" - one of the themes I am most interested in.
All my films have raised questions on issues that are contemporary and relevant to our times.
Without a deal [with Iran], the international sanctions regime will unravel with little ability to reimpose them. With this deal, we have the possibility of peacefully resolving a major threat to regional and international security. Without a deal, we risk even more war in the Middle East and other countries in the region would feel compelled to pursue their own nuclear programs, threatening a nuclear arms race in the most volatile region in the world.
We believe that we could do a great deal to neutralise regional conflicts. Also, for example, to continue joint activities in space, for peaceful civilian purposes.
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