A Quote by Mary Astell

If a Woman can neither Love nor Honour, she does ill in promising to Obey. — © Mary Astell
If a Woman can neither Love nor Honour, she does ill in promising to Obey.
An inconstant woman is one who is no longer in love; a false woman is one who is already in love with another person; a fickle woman is she who neither knows whom she loves nor whether she loves or not; and the indifferent woman, one who does not love at all.
Where there is Love and Wisdom, there is neither Fear nor Ignorance. Where there is Patience and Humility, there is neither Anger nor Annoyance. Where there is Poverty and Joy, there is neither Cupidity nor Avarice. Where there is Peace and Contemplation, there is neither Care nor Restlessness. Where there is the Fear of God to guard the dwelling, there no enemy can enter. Where there is Mercy and Prudence, there is neither Excess nor Harshness.
Your women of fashion ceases to be a woman. She is neither mother, nor wife, nor lover. She is, medically speaking, sex on the brain.
I shall choose friends among men, but neither slaves nor masters. And I shall choose only such as please me, and them I shall love and respect, but neither command nor obey. And we shall join our hands when we wish, or walk alone when we so desire.
When the soul is naughted and transformed, then of herself she neither works nor speaks nor wills, nor feels nor hears nor understands; neither has she of herself the feeling of outward or inward, where she may move. And in all things it is God who rules and guides her, without the meditation of any creature.... And she is so full of peace that thought she pressed her flesh, her nerves, her bones, no other thing come forth from them than peace.
In France, a woman may forget that she is neither young nor handsome; for the absence of these claims to attention does not expose her to be neglected by the male sex.
When does one register that one is a woman? Does she become a woman when she becomes responsible; when she falls in love; when she goes through pain?
neither poems nor prose just a length of rope just the wet earth -- that's the way home. neither vodka nor bread just bursts of rage just more new graves -- that's youth and that's love. neither sleep nor waking neither joy nor laughter just tears in the night -- so the rope, paper, knife.
The US no longer does decisions. It can neither stop the drug traffic nor legalize it. It can neither win wars nor abandon them, neither make money nor stop spending it, neither stop immigration nor assimilate the immigrants. Washington can beat its thumb with a hammer, yes, and notice that it hurts, but it can't stop beating its thumb. That would take a decision, and Washington doesn't do decisions.
The Girl of the Period, sauntering before one down Broadway, is one panorama of awful surprises from top to toe. Her clothes characterize her. She never characterizes her clothes. She is upholstered, not ornamented. She is bundled, not draped. She is puckered, not folded. She struts, she does not sweep. She has not one of the attributes of nature nor of proper art. She neither soothes the eye like a flower, nor pleases it like a picture. She wearies it like a kaleidoscope. She is a meaningless dazzle of broken effects.
By my soul, I can neither eat, drink, nor sleep; nor, what's still worse, love any woman in the world but her.
Propose not to a woman when she hath gotten a new frock, nor when she is puffed up with victories; when she reigneth and rejoiceth in her hour of triumph, come not nigh unto her; but when she be ill or weary, when she is cast down in spirit and needeth a comforter, then be thou ready, and make thy suit.
And Babita is in a happy space by herself. She's not got married again and nor does she intend to, neither do I. She continues to be my wife and I continue to be her incorrigible, horrible husband. So be it!
Do you know what happens when an Arabian woman dances? She does not dance: she protests, she loves, she cries, she makes love, she dreams, she goes away from her reality, to her own world, where love is really meant and she does not want to come back, because that is her reality.
Virtue knowing no base repulse, shines with untarnished honour; nor does she assume or resign her emblems of honour by the will of some popular breeze. [Lat., Virtus repulse nescia sordidae, Intaminatis fulget honoribus; Nec sumit aut ponit secures Arbitrio popularis aurae.]
Honour is Virtue's allowed ascent: honour that clasps All perfect justice in her arms; that craves No more respect than that she gives; that does Nothing but what she'll suffer.
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