A Quote by Mary Beth McKenzie
Leaving some areas less finished in a painting, or more out of focus than others, allows the imagination to finish them and gives more importance to the detailed parts.
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We suffer more often in imagination than in reality. [We must learn to control and focus the force of our imagination on the good, bright side so it is positive and constructive helping ourselves and others, rather than let its force focus on the bad, dark side so it is negative and destructive hurting ourselves and others!]
I say then, that belief is nothing but a more vivid, lively, forcible, firm, steady conception of an object, than what the imagination alone is ever able to attain. This variety of terms, which may seem so unphilosophical, is intended only to express that act of the mind, which renders realities, or what is taken for such, more present to us than fictions, causes them to weigh more in the thought, and gives them a superior influence on the passions and imagination.
I keep getting more and more ambitious. Over the years, to some degree, in some areas, I feel I've grown. In some areas, I made a fool of myself. In some areas, I think I can still do some funny things.
Some writers are more natural public performers than others; personally I find it quite strange giving interviews. But everyone has parts of their job that they like more than others. You can't complain if you get to do what you love doing most of the time, can you?
Yet in a kingdom containing seven constituent parts, which is upheld like the triple staff ,of an ascetic , there is no ,single part more important ,than the others , by reason of the importance of the qualities of each for the others.
God gives some more than others because some accept more than others.
There are innumerable worlds of different sizes. In some there is neither sun not moon, in others they are larger than in ours and others have more than one. These worlds are at irregular distances, more in one direction and less in another, and some are flourishing, others declining. Here they come into being, there they die, and they are distroyed by collision with one another. Some of the worlds have no animal or vegetable life nor any water.
In brief, I regard love as a more decisive focus of meaning than death. In terms of Heidegger's argument, this is because I think he misdescribes the importance of the deaths of others and focuses exclusively on my relation to my own death. But, in reality, the deaths of others have a more urgent and immediate impact on our lives than the purely notional knowledge that I too will one day die.
When I was painting in art school - and I think many painters in the 1980s worked similarly - a finished painting would often be constructed from lots of other paintings underneath. Some of these individual layers of painting were better than others, but that was something that you would often only realise retrospectively.
The great ones have the ability to focus and tune everything else out and see more than the others. Average quarterbacks have tunnel vision. They see what's in front of them. The better you get, the more that tunnel expands, and the more guys on the field you see.
They would make the 'Church ' their great meeting-point, rather than the Atonement of Christ. As far as my experience goes, they have more devoutness and less devotion, more fear and less love, more feeling of duty than of desire, laying more stress on Phil. ii. 12 than ver. 13, and in practice working upon the intellect and imagination rather than aiming at the heart, skirmishing among the outworks rather than assaulting the citadel.
Too much sparkle can detract from the focal point of the painting, so I blend some areas to tone down the look of the pastels in less important areas.
A painting is finished when to have done less would be considered a sin and more a crime.
My studio practice is a - I suppose a bit more like [Thomas] Gainsborough or [Peter Paul] Rubens in the sense that any artist who wants to create a grand narrative on a grand scale has to sort of parse out some of the smaller aspects of painting or the more mundane aspects of painting to others.
Whatever it takes to finish things, finish. You will learn more from a glorious failure than you ever will from something you never finished.
Yes, I believe sincerely that every man has consummate genius within him. Some appear to have it more than others only because they are aware of it more than others are, and the awareness or unawareness of it is what makes each one of them into masters or holds them down to mediocrity.
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