A Quote by Mary Cantwell
I had wanted to come back to Greenwich Village ever since I had left Waverly Place, and since moving to West Eleventh Street, I have never lived anyplace else. I do not want to. That is not because of what the Village is but because of what I have made it, and what I have made it depends on who I am at the time.
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Shore Leave is the one who evolved the most - because he started as a one-off joke because we were gagging on how the G.I. Joe vocationally specific-themed characters reminded us of the Village People. We made a sassy Village People kind of guy, and then we brought him back.
I wanted to open up a stand to sell dried fruit and beef jerky where we lived in Greenwich Village. I was 8 years old. I had been flipping through TV channels and got mesmerized by this infomercial for a food dehydrator.
This is unexposed film of Greenwich Village because nothing ever happens there.
We had been reading about these beatniks who hung out or lived in Greenwich Village, and we wanted to find out what a 'beatnik' was, and so a friend and I went right to the source. What we learned, of course, was that beatniks were mostly artists.
The nearest village was a place called Pauperhaugh which was a village in the sense that it had a phone box and a bridge. By the time I got down south I had decades to catch up on. We only got colour television in 1978.
I come from a village, Changa Bangyaal. It is a very beautiful village. I am from a poor family. Right from the beginning, I always had a great deal of love for cricket.
I don't recall a show I've ever been on that had the same director do two episodes in a row, but in England, they do it all the time. In England, they'll just have one director for eight episodes. That was the British system that Jane Tranter and Julie Gardner wanted to bring to the States. I think there was a nice merger of the two systems. They might have gone with one director, but John had obligations on The Village, and he had to leave and come back, so it seemed like a natural place to break it up.
When I was 18, I lived in Greenwich Village, New York, for nine months. At that time, I wanted to change the world, not through architecture, but through painting. I lived the artist's life, mingling with poets and writers, and working as a waiter. I was intrigued by the aliveness of the city.
When I am with my family, then I can just sort of switch off. It's kind of weird, because I go back and I go into this bedroom that I have had since I was a teenager. It is like this parallel universe, because one minute I am on the red carpet and then the next I am hiding out in this room I have had since I was 15.
Greenwich Village... the village of low rents and high arts.
My life was made easy - I lived in a village, and by writing for some newspapers and magazines, had enough to live on. I was happy to be there and write.
I learnt since I was a child growing up in a small village in the Czech Republic that I had to be like that to compete, to be the best and then to compete against the best. There has not been a second, a minute, an hour, a day that I have missed because I always wanted to improve.
I was born in a village where there had never been a footballer who'd made it in the major championships.
When I [first] went to university, I was doing foreign languages, because I had done them since I was 13 years old. I had done French and German. I picked up Italian, just sort of blasted through the exams, [and then] took off overseas, because I wanted to be an actor. I thought, "I'm just not academic." I'm not very competitive, in terms of acting. But since going back to university, I've realized, I am highly competitive.
The mold in which a key is made would be a strange thing, if you had never seen a key: and the key itself a strange thing if you had never seen a lock. Your soul has a curious shape because it is a hollow made to fit a particular swelling in the infinite contours of the divine substance, or a key to unlock one of the doors in the house with many mansions. Your place in heaven will seem to be made for you and you alone, because you were made for it -- made for it stitch by stitch as a glove is made for a hand.
The scene I had just witnessed (a couple making love in the ocean) brought back a lot of memories – not of things I had done but of things I had failed to do, wasted hours and frustrated moments and opportunities forever lost because time had eaten so much of my life and I would never get it back. I envied Yeoman and felt sorry for myself at the same time, because I had seen him in a moment that made all my happiness seem dull.
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