A Quote by Mary Chapin Carpenter

It's a marvelous feeling when someone says 'I want to do this song of yours' because they've connected to it. That's what I'm after. — © Mary Chapin Carpenter
It's a marvelous feeling when someone says 'I want to do this song of yours' because they've connected to it. That's what I'm after.
It's a marvelous feeling when someone says I want to do this song of yours because they've connected to it. That's what I'm after.
Ye children of promise who are awaiting your call to glory, take possession of the inheritance that now is yours. By faith take the promises. Live upon them, not upon emotions. Remember, feeling is not faith. Faith grasps and clings to the promises. Faith says, "I am certain, not because feeling testifies to it, but because God says it.
I want to make people feel things when they hear my music I want to give a song to someone who is going through a break up, I want to give a song to someone who loves someone and can't tell them. A song for someone who has just fallen in love and a song for just people who are living their lives.
I didn't want to release a song like 'Spice Girl' right after 'Caroline' because I didn't want another 'hit' kind of song.
Every day somebody comes up to me and says, 'That song really helped me through a difficult time,' or 'That's me and my wife's song' or 'This song means something to me because of... ' It's humbling to hear that. You're something special in someone's life, even if it is for three minutes.
You don't want modesty, you want humility. Humility comes from inside out. It says someone was here before me and I'm here because I've been paid for. I have something to do and I will do that because I'm paying for someone else who has yet to come.
After a song comes out, it doesn't remain yours.
I think the emotion that song carries makes it good. Because you have to produce around something - an emotional attachment and a feeling. The melody itself has a feeling in it. The keys, the tones, frequency, sonics, all of those have feelings in it. Like, it's the ghost within, the music itself. That's what makes the song even have a possibility of being great. The emotional connection. Because if you don't have that, I don't think you really have a song.
Don't regard what anyone says of you, for this, after all, is no concern of yours.
Baby," she says in a harsh whisper, "in this world, lots of people will try to grind you down. They need you to be small so they can be big. You let them think whatever they want, but you make sure you get yours. You get yours.
If I'm walking down the street and someone stops me and says, "Oh! A song that you wrote meant a lot to me, and I listened to it after I went to my sister's funeral," that's when it hits me.
I find that the most special thing to me is if you've connected to people in some way: If someone comes up to you on the street and says something to you, and you know it's meant something to them, and it's connected to some project. That, I find, is amazing.
I believe in feeling connected. Love is something that grows, that comes from nourishment; it builds. But there is a great feeling that happens, that is telling you, I don't want to leave this room!
I feel like I write so that people can think of it as theirs. If my song is exactly about your life right now, then it is - I don't even want to say that it's mine, because it's yours.
For me the world is weird because it is stupendous, awesome, mysterious, unfathomable; my interest has been to convince you that you must assume responsibility for being here, in this marvelous world, in this marvelous desert, in this marvelous time. I want to convince you that you must learn to make every act count, since you are going to be here for only a short while, in fact, too short for witnessing all the marvels of it.
When someone tells you, 'I love you,' and then you feel, 'Oh, I must be worthy after all,' that's an illusion. That's not true. Or someone says, 'I hate you,' and you think, 'Oh, God, I knew it; I'm not very worthy,' that's not true either. Neither one of these thoughts hold any intrinsic reality. They are an overlay. When someone says, 'I love you,' he is telling you about himself, not you. When someone says, 'I hate you,' she is telling you about herself, not you. World views are self views-literally.
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