A Quote by Mary Daly

I know that I will be punished just as much for being an itty-bitty feminist as for going the whole way. And so I go the whole way. — © Mary Daly
I know that I will be punished just as much for being an itty-bitty feminist as for going the whole way. And so I go the whole way.
That's why I think life is so incredible, right? Anything is possible. You can be one way one day, and then you can have one experience that could be tiny-itty-bitty or big, and it can shift your whole focus and your whole life.
Usually, you get a script and you have the whole story. All the acts are there, for a play. You know what happens in the first, second and third acts, and you know how it starts, where you go and where it finishes. [With American Horror Story: Asylum], it's a whole new experience. I don't know where it's going, and I don't know what's going to happen next. It's been an interesting way to work. It's made me work in a much more fluid, braver way, just taking every chance that comes along.
Just a whole different style, just a whole different way of going about an audience and a way about skating. And they are so brilliant in their own way, which is great, and that's what Brian was saying; is the styles are different, and it's the whole mentality.
If there ever was an 'America's team,' it would be itty-bitty, little Green Bay, stuck way up there somewhere, owned by the salt-of-the-Earth citizens themselves.
I don't necessarily think of myself as a feminist, but I'm a whole person. I'm not just breasts or ass or thighs - I'm a whole being! And it just seems like women aren't necessarily striving to be the whole of themselves.
From the time I was a little itty-bitty kid, I was going to the airport every day. I began to study all the airplanes, and I'd draw all the airplanes.
I find that creative streak I think often leads in programmers to be good predictors of where culture as a whole is going to go. And that is where I think I've tried over the years to in some ways use my customers as a filter or a predictor of where technology as a whole is going to go. Or where the world as a whole is going to go.
We have always thought about design as being so much more than just the way something looks. It's the whole thing: the way something works on so many different levels. Ultimately, of course, design defines so much of our experience.
My father once said, ‘If the whole world wants to go left and you feel like going right, go right. You don’t have to follow. You don’t have to make a big deal about which way you’re going. Just go. It’s very easy.’
The con movie is a little bit different where maybe we tell you what we're going to do but it never goes down the way you expect because there's so much double-crossing and cheats and lies going on along the whole way.
I didn't even know how much of a feminist I was, and I realized, 'Oh my God, I was raised by a single mom who had to raise six kids. I have three sisters. Larry, you've been a feminist your whole life, and you really didn't know it until you've been presented with these issues.'
Ever since I was an itty bitty kitty, been drinking liquor out of Mama's titty.
The way I write is very much without kind of a goal. I have something I'm interested in and then I decide I'm going to explore it. I don't know where the characters are going to go, I don't know what the movie is going to do or what the screenplay is going to do. For me, that's the way to keep it alive.
The direction Eun Gi is trying to go, I don't know. How you're going to go that way. What you're trying to do going that way. I don't know. With what thoughts... With what mind she is taking that way... Even if I ask, Eun Gi won't answer. The only thing I know, is that, I, next to Eun Gi who is going that way, it could be that I can't go that way with her together.
In voicing so much is left to your imagination to create the world around you like that. It's really the essence of what's so fun for, I think, many people when they first start to want to be an actor, is that they realise they enjoy making up a world around them to exist in, a whole situation and a whole way of being. And even more so than theatre, animation requires that because there's just nothing to go on. It's in your head and your heart or it's not there at all.
Life on earth is a whole, yet it expresses itself in unique time-bound bodies, microscopic or visible, plant or animal, extinct or living. So there can be no one place to be. There can be no one way to be, no one way to practice, no one way to learn, no one way to love, no one way to grow or to heal, no one way to live, no one way to feel, no one thing to know or be known. The particulars count.
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