A Quote by Mary Doria Russell
I live and die with the Indians. The first game I attended back in the mid-'90s was almost a religious experience. We were down by six and won by two, and it was glorious. The stadium is so beautiful, and the way it frames the city when you're sitting high above the second base line is spectacular.
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I attended a middling high school in central Virginia in the mid-'90s, so there were no lofty electives to stoke my artistic sensibility - no A.P. art history or African-American studies or language courses in Mandarin or Portuguese. I lived for English, for reading.
There was a time there in the mid '80s to the '90s there that we played six finals, three Canada Cups, we were playing hockey almost 10 months a year for a long time there.
Faith is so rare-and religion so common-because no one wants to live between first base and second base. Faith is the in-between space where you're not sure you'll make it to second base. You've let go of one thing and haven't yet latched into another. Most of us choose the security of first base.
I love coming back to Wisconsin. Lambeau Field is such a special place - a lot different than the old city stadium next to East High School when I first arrived in 1956. The facilities were nothing like they are today, as the Packers were in tough financial times.
Like leggings, comedies created by women came into vogue in the late 1980s, exploded in the early '90s, went mainstream in the mid-'90s, and were shoved into the back of the closet around 1997.
The origin of all revolutions and corruption, and the spur and source of all base morals are just two sayings: The First Saying: 'So long as I'm full, what is it to me if others die of hunger?' The Second Saying: 'You suffer hardship so that I can live in ease; you work so that I can eat.'
I couldn't tell if any frames were removed. Seen as a whole it shows that I have seen. Seeing you have 18 frames a second you can take out one or two and I couldn't tell.
My high salary for one season was forty-six thousand dollars and a Cadillac. If I were to get paid a million, I'd feel that I should sweep out the stadium every night after I finished playing the game.
My first time in New York City was for 'Wrestlemania' at MetLife Stadium. It was an insanely-awesome experience and I fell in love with the city.
I think women bring a different perspective and that we tend to be more collaborative in our approach. I served in the Iowa Senate back in the '90s, when there weren't a lot of us. At the time, I think there were five or six women, and two or three of them were Republicans and two or three were Democrats.
A lot of people celebrate the '80s. I was a '90s guy. The best music, and basketball, was at its high in the '90s, with all of the best players, playing the best style of basketball in that era, and Michael Jordan winning six rings in the city I grew up in.
I was sitting at home and had a profound experience. I experienced, in all of my Being, that someday I was going to die, and it wouldn't be like it had been happening, almost dying but somehow staying alive, but I would just die! And two things would happen right before I died: I would regret my entire life; I would want to live it over again. This terrified me. The thought that I would live my entire life, look at it and realize I blew it forced me to do something with my life.
In comics the reader is in complete control of the experience. They can read it at their own pace, and if there's a piece of dialogue that seems to echo something a few pages back, they can flip back and check it out, whereas the audience for a film is being dragged through the experience at the speed of 24 frames per second.
At that speed, batsmen are almost trying to premeditate where the ball will be - they feel like they don't have time to react or move. That's the difference between bowling in the mid-80s and the mid-90s.
I can sit back in 10, 15, 20 years, when I'm sitting with my kids, I'll be able to say that I'm sitting in Ravens Stadium during a game, and I'm watching one of the best swimmers ever win a Gold for the U.S. You know, as you get older, you cherish those kinds of moments.
If I walk into the editing room, it's six hours lost. I'm massaging frames. I'm, like, 'Oh, take six frames off that shot. Hit the music cue right there.' I will drive everybody crazy if left to my own devices in that room. So I try to do everything I can by staying out of the way.
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