A Quote by Mary E. Pearson

What I think is all I have left. My mind is the only thing that makes me different from a fancy toaster. What we think does matter-it's all we truly have. — © Mary E. Pearson
What I think is all I have left. My mind is the only thing that makes me different from a fancy toaster. What we think does matter-it's all we truly have.
I don't think about the audience, I don't think about what makes them happy, because there's no way for me to know. To try to think of what makes for entertainment is a very Japanese thing. The people who think like this are old-fashioned. They think of the audience as a mass, but in fact every person in the audience is different. So entertainment for everyone doesn't exist
Someone said to me the other day, 'Oh, you're really jhujhi.' What does that mean? Fancy? Fabulous? Some people think I can only do fancy, I don't know why. I'm a pretty easy person really. Low maintenance. I get on with things and I'm comfortable anywhere.
Most people, if they think at all about the dictionary, think of it as this fixed object given to us from on high. It is the thing that legitimizes language and makes language real. You never think that it's actually compiled by living, breathing nerds like me. When you realize that it's compiled by people, it becomes a different thing, a different kind of document.
I haven't come across any recent new ideas in film that strike me as being particularly important and that have to do with form. I think that a preoccupation with originality of form is more or less a fruitless thing. A truly original person with a truly original mind will not be able to function in the old form and will simply do something different. Others had much better think of the form as being some sort of classical tradition and try to work within it.
We did not have a toaster growing up. I never knew what a toaster was, it was only as I got older, we got a toaster.
I've never been motivated by the award thing. There's a certain thing that this fame thing does that makes my job harder, in a way. I'm still working with that. I don't think about it too much until somebody asks me a question, and then I think about it.
One way of saying that is that there is an objective reality beyond our mind. A way to think of this in a philosophic sense is to look between the two great extremes: the idealist philosophy that says mind and consciousness is the only thing and that matter is simply an illusion, or a Maya, the product of mind; and the other extreme, a strict materialist determinism, which says that mind and consciousness is a secondary phenomenon of the collision of matter.
I don't know if it's possible to affect my ego any more. There's no room left. For me, I think I make music like the way I think it should be made, like what rock should sound like. It has nothing to do with the current marketplace. And so from that state of mind, it's gonna sound different from anything else out there. And when something sounds different, I think that can be inspiring to other musicians.
I think I've found a purpose in acting; it's something I truly love and truly enjoy. It makes me happy. It makes me understand more about life, in front of the camera, than what I'm living beyond the camera.
It really shocks me when I encounter people who think kindness doesn't matter. Because I think it's pretty much the only thing that matters.
I do believe you have a wound too. I do believe it is both specific to you and common to everyone. I do believe it is the thing about you that must be hidden and protected, it is the thing that must be tap danced over five shows a day, it is the thing that won't be interesting to other people if revealed. It is the thing that makes you weak and pathetic. It is the thing that truly, truly, truly makes loving you impossible. It is your secret, even from yourself. But it is the thing that wants to live.
I think it's good to have different styles, though. I think it's good to have a lucha on a show, some Japanese flavor, I think MMA is a good thing, a little bit of the hardcore and the blood and guts is good. That is what makes a show for me.
I think, for me specifically when it comes to music, I don't think that I need any persuading to think about it. It's always kind of in the back of your mind and - but I think it's part of who I am and always will be, I mean, in a very cellular way. When you grow up doing, you know, one thing, I think you get to this place where you want to try new things. And I do think that we live in the type of world where people get comfortable with you in one way, and so seeing you in a different way, it takes some time.
I think that, for so long, there was only one type of actor, and now you see these different colors, different people, different shapes and different sizes. It just makes it more interesting.
In general, I don't like game mechanics, I mean it's the idea you do the same things through different levels. I think, in my mind, it's an ideas I don't really like because I love to do different things and like to see the story moving on and I like to do different things and different scenes, not do the same thing over and over again. If it involves violence at some point fine, if it makes sense in the context. But violence for the sake of violence, it doesn't mean anything to me anymore.
I don't mind being ridiculed - well, I guess I would mind a little, but it would only last a few minutes - it's all very ephemeral; it doesn't really matter what people think of me.
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