A Quote by Mary E. Pearson
Are the details of our lives who we are, or is it owning those details that makes the difference?
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Movies are details. Movies are billions of details that come into a certain moment. So with all the years and months and weeks and days and minutes of preparation, then finally you're shooting and it all comes down to these moments when you're shooting, which is sort of insane when you think about it. The details make a difference.
I think I have a very detailed sense of observation. I am interested in the details of people's lives and what information these details give.
The detail adds an element of unexpected something. All fiction is false; what makes it convincing is that it runs alongside the truth. The real world has lots of incidental details, so a painting also has to have that element of imperfection and irregularity, those incidental details.
Emotions are the sums created by details, whether those details are true or not.
The devil's in the details. The way I view my job is to bring the reader into a world they otherwise could not enter and let them see it through the character's eyes. And you can only do that with detail. The details make the characters distinct from one another. If you can give them those little grace notes, those little touches, that's what makes the reader relate.
I am interested in details. If you go into anything far enough, you get into the details of it, and people turn out to be interested in what makes things work.
There are details within details within details to anchor you in the fact that we are talking about the real world, not an illustrated children's book fantasy world.
When we encounter new details of our world we fill in more of the spaces. When we discover details that don't seem to fit with our view of the world, we have a kind of "crisis of faith," even if our worldview is not especially religious. We're forced to redraw our "map" a bit.
I write because the lives of all of us are stories. If enough of those stories are told, then perhaps we will begin to see that our lives are the same story. The differences are merely in the details.
This makes his writing very pleasing to read: João Gilberto Noll pays attention to detail, but only to certain details. And it's never easy to foresee which details will send the narrator or the plot in an unsuspected direction.
When we don't have all the details about our characters, we have to make it up to fill in all the details. So, for me, writing and acting go hand in hand.
Just as our brains fill in the details of an image our eyes record only roughly, so, too, do our brains employ tricks we are unaware of to fill in details about people we don't know intimately.
I think the most important thing journalism taught me is to mine for details. The details are key. You can't try to be funny or strange or poignant; you have to let the details be funny or strange or poignant for you.
If I'm writing about a modern-day suburb, there's going to be details of the home and furniture, and if I'm writing about a historical period, those details, those pieces of the world are going to be there as well, but they'll be simplified, because I'm cartooning it.
Women notice details that most men don't. They notice if your belt and shoes match. They notice what kinds of foods you like to eat. They notice all the details, then make assumptions about every other area of your life based on these details.
When I'm filling notebooks I'm trying to pin down what I'm really interested in and to find those details that are so hard to come by, details that I can look at and believe are right on the mark. Things which bring a novel to life. They can take a while to come.
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