A Quote by Mary Elizabeth Coleridge
Qualities absolutely necessary for a historian: (1) Imagination. (2) Prejudice. (3) The power of writing your own biography at the same time.
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Imagination! Imagination! I put it first years ago, when I was asked what qualities I thought necessary for success upon the stage. And I am still of the same opinion. Imagination, industry [hard work], and intelligence-the three I's-are all indispensable to the actor, but of these three the greatest is, without any doubt, imagination.
Want of imagination makes things unreal enough to be destroyed. By imagination I mean knowledge and love. I mean compassion. People of power kill children, the old send the young to die, because they have no imagination. They have power. Can you have power and imagination at the same time? Can you kill people you don’t know and have compassion for them at the same time?
Imagination! Imagination! I put it first years ago, when I was asked what qualities I thought necessary for success on the stage.
Your imagination is the single most important asset you possess. Your imagination is your power to create mental pictures of things that don't exist yet and that you want to bring into being. Your imagination is what you use to shape your future. And so in your own way, you are a prophet. You generate countless predictions every day. Your imagination is the source,tirelessly churning out mental pictures of what you'll be doing in the future.
Human potential is the same for all. Your feeling, 'I am of no value', is wrong. Absolutely wrong. You are deceiving yourself. We all have the power of thought — so what are you lacking? If you have will-power , then you can do anything. It is usually said that you are your own master.
The power of imagination is the ultimate creative power.. no doubt about that. While knowledge defines all we currently know and understand.. imagination points to all we might yet discover and create. Imagination is more important than knowledge. Your imagination is your preview of life's coming attractions
I have always hated biography, and more especially, autobiography. If biography, the writer invariably finds it necessary to plaster the subject with praises, flattery and adulation and to invest him with all the Christian graces. If autobiography, the same plan is followed, but the writer apologizes for it.
I try to ?nd clues in the documented record - from the subject's own testimony, from the testimony of other people. When you're writing a biography, you're trying to understand your subject in the same way that you try to understand one of your friends, and that effort at understanding is always very imperfect.
The more you're writing absolutely honestly, and absolutely bare of intention - even if it feels absolutely personal and small because it's at your own scale - other people relate to it much more.
The more you’re writing absolutely honestly, and absolutely bare of intention - even if it feels absolutely personal and small because it’s at your own scale - other people relate to it much more.
It's a great excuse and luxury, having a job and blaming it for your inability to do your own art. When you don't have to work, you are left with the horror of facing your own lack of imagination and your own emptiness. A devastating possibility when finally time is your own.
Faith is, at one and the same time, absolutely necessary and altogether impossible.
Make yourself your role model, because people who do not have qualities depend on the qualities of others to shape their own qualities.
We have fans that circulate air in the cabin of the module of the space shuttle. They're running all the time. They're absolutely necessary because, otherwise, you will breathe your own CO2 and intoxicate yourself quite fast.
Voiceover work definitely requires it's own specific muscle. And because you're not seeing what you're recording, and all these things are going on, you really have to use your imagination and stay focused and kind of be able to tap your head and rub your belly at the same time.
For the historian everything begins and ends with time, a mathematical, godlike
time, a notion easily mocked, time external to men, 'exogenous,' as economists
would say, pushing men, forcing them, and painting their own individual times
the same color: it is, indeed, the imperious time of the world.
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