A Quote by Mary Elizabeth Mastrantonio
Some stars like to hide behind the whole idea of acting. But really good actors are not hiding at all. They're not afraid to be disliked, to be a little unsavoury.
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Some stars like to hide behind the whole idea of acting. But really good actors are not hiding at all. They're not afraid to be disliked, to be a little unsavory.
With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.
There are some actors that are great stars and storytellers, but not necessarily good actors. I'm talking about some - not all - of the people you see in action flms or blockbusters. They're film stars, though not necessarily great actors. And there are those who are great actors, but not necessarily big film stars. Jim Sturgess is both. He's quite obviously a star, the audience likes him, he's a great storyteller and he turned out to be one of the greatest actors I've worked with as well.
People can hide behind a screen. No one is going to do it at a match, in front of you, like throw a banana at a black player or something. They are very happy hiding behind a screen and being comfortable.
You work with every actor differently. It's like if you're a mother, if you have children, some children need more discipline. Other children you back off of a little bit and let them be. It's the same way with actors. Some actors need a lot of hand holding. Other actors like to be let be and you let them go. Some actors like to be nudged just a little bit. Some actors don't mind line readings.
I think people saw him as someone who did good things for Ireland. If you looked at all the Irish actors in 'Excalibur' alone - Gabriel Byrne, Liam Neeson - there was a whole gaggle of Irish actors who've gone on to become stars, so Dad was really part of that.
I have always disliked being a man. The whole idea of manhood in America is pitiful, in my opinion. This version of masculinity is a little like having to wear an ill-fitting coat for one's entire life (by contrast, I imagine femininity to be an oppressive sense of nakedness).
It's been reinforced to me, and it's a little cliche, but I've learned that you can't make a movie that even works, much less that's good, without really good writing and really good acting. That lesson has led me to not be distracted, so much, by the other stuff going on in filmmaking and to focus on the essence of a story, and the words and the events and the way that those are interpreted by the actors. That philosophy has taken me to a place that I really like.
We have so much access to one another through technology and everything else, that we're very much used to people being real. When folks go on TV and they're basically acting - if they were good actors they'd be acting and paid for it for a living, but they're not good actors. When we see bad acting, it doesn't look like bad acting, it looks weird, and we are turned off by it. I'm not talking about anybody in particular, that's just politics right now. This generation, I feel like, has incredible bullshit detectors.
I am not a romantic leading man anymore so I don't need to nurture that public image anymore. I can talk about it now because I'm not afraid anymore . . . When I grew up, being gay, being sissy or anything like that, was verboten. I disliked myself intensely and feared this part of myself intensely, and had to hide it and became 'Perfect Richard, All-American Boy' as a place to hide.
Are you ever afraid to go to sleep? Afraid of what comes next?” He smiles a sad little smile and I swear it’s like he knows. “Sometimes I’m afraid of what I’m leaving behind,” he says.
I was looking for some way to put my music to some service on a nightly basis. You go into a town, you play a little music, you leave something behind. That idea connected us to the local community. It was a very simple idea, but it really resonated with me.
I think this whole discussion about what is politically correct - sometimes you have to name the name. You can't hide it. Politeness is good if it's not hiding the truth.
The whole idea with acting is that you take some risks. And if you take some risks, you're really going to mess up sometimes. But it's not OK to mess up a movie; it's not OK to do that just so you can improve as an actor. But film-making takes a little bit of risk in every department.
I am very direct and I tend to treat everyone exactly the same, which sometimes gets me in trouble because some movie stars feel like they should be treated differently. But, when you're dealing with good actors, they really appreciate it.
I think that I burnt myself out a little bit with my dancing because I did so much of it. I was exhausted so thought that I would try a different kind of performance and expression and acting seemed like a close fit; it was similar in some ways to dancing. My mum showed me some really good films and so I became interested in films and acting.
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