A Quote by Mary Ellen Mark
I don't relax. I can't take vacations. I'm obsessive-compulsive, and I worry with every project that I'm going to fail. When it starts to go well, and I sense that something beautiful and important and meaningful is being created, it's a fantastic feeling, and I find it very hard to stop.
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I could not do what I do if I were not obsessive compulsive to a certain extent. I don't act clinically OCD. I'm not going to check things so many times I have to take drugs for it. But the kind of complicated and painstaking work I have to do to make my drawings, it just kind of harnesses that compulsive energy in a constructive way.
It could be ventured to understand obsessive compulsive neurosis as the pathological counterpart of religious development, to define neurosis as an individual religiosity; to define religion as a universal obsessive compulsive neurosis.
Well, you know, going into any project, especially with a fan base as vocal and passionate as something as "Star Wars," you will have groups of people who will find issues with whatever it is you're doing. But our job was to tell the best story we could about characters that we loved, and we knew that we needed to go backwards to go forwards, and we needed to go back to a feeling and a place and a time.
That's why people take vacations. No to relax or find excitement or see new places. To escape the death that exists in routine things.
Never worry about being obsessive. I like obsessive people. Obsessive people make great art
As a standup comedian, you have to develop a sense of fearlessness. It's really important for your livelihood and your well-being. And if you don't do that, you're going to fail; you're never going to be able to stand up on the cliff and jump off.
I don't relax very well, and I find it hard to sit still.
I have a feeling that very soon I'm going to fail very, very big. I'm going to try something and everybody's going to be like, 'What was she thinking?
I have a feeling that very soon I'm going to fail very, very big. I'm going to try something and everybody's going to be like, 'What was she thinking?'
I don't take any project lightly. Every project is important for me. In fact, every scene in every film is important.
Capturing intimacy is pretty much the only thing I'm interested in. That's what excites me and what I find beautiful in movies personally - that almost obscene sense that we shouldn't be this close to these people. I find that very inviting and meaningful as an audience member.
Well, you know, I think in conversations with members of the Senate and others, they all recognize that the issue of immigration is important. It's important to our nation, it's important to our public safety, it's important to our security, it's important to our economic well-being moving forward. And it's not something that's going to go away.
Early in my career, I was really spoiled with a beautiful project. I got such a good start that I thought, 'Why would I ever take a step back?' Why would I take on something that wasn't meaningful - to me, if nobody else - and powerful and groundbreaking?
I'm kind of an obsessive-compulsive person, like, neat obsessive.
I can't relax. I find vacations problematic.
I can't know entirely what's at stake beforehand; you find out as you go. I love to take a poem, for instance, that starts with something seemingly frivolous or inconsequential and then grows in gravity until by the end it's something very serious.
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