A Quote by Mary Gaitskill

Writing is.... being able to take something whole and fiercely alive that exists inside you in some unknowable combination of thought, feeling, physicality, and spirit, and to then store it like a genie in tense, tiny black symbols on a calm white page. If the wrong reader comes across the words, they will remain just words. But for the right readers, your vision blooms off the page and is absorbed into their minds like smoke, where it will re-form, whole and alive, fully adapted to its new environment.
I even dream about writing. I'm talking seeing words across the page, whole paragraphs.
A pen is different from the pad, the key, moving your fingers across a screen. I like both. I like to work on sketchbooks, big old white sketch paper. I like how that feels, and I like to put different media on it. Then there's the phone, smartphone, iPad: It's the new page, and it's not the same page anymore.
When I was young, my father used to say, ‘If you are alive, there is hope for a better day and something good to happen. If there is nothing good left in the destiny of a person, he or she will die.’ I thought about these words during my journey, and they kept me moving even when I didn’t know where I was going. Those words became the vehicle that drove my spirit forward and made it stay alive.
Writing a screenplay needs to be more than words on a page - and by the way, I think the words on the page are something you have to try to execute on the highest level you can; I'm not dismissing that by any regard.
You are wrong if you think that you can in any way take the vision and tame it to the page. The page is jealous and tyrannical; the page is made of time and matter; the page always wins.
Books are like friends to me. Words come alive on the page.
What does it mean to be a used white wife, a mother, a tragic girl writing poems? Sandra Simonds gets into these messy words and then tears them apart. Sometimes with the words of others. And sometimes with poems made from scratch. They aren't all bad, these words. But they aren't all good either. And that is where Mother was a Tragic Girl gets its power. You will at moments be laughing but then you will also at moments just as much be crying. If Antigone was alive and decided to write some poems about the nuclear family, she would write them like Sandra Simonds. These are tough.
Regarding some of the super powers that I reference, like walking on water, I haven't seen people do that, but once you get into the science, a lot of it starts to make a lot of sense, for example, like people being able to read your mind. It's very logical, because words are just a grosser form of thought, and thought is just a grosser form of feeling.
But stories don't end. They continue as long as you're alive. You just have to get on with things. Turn the page, start a new chapter, find out what's in store for you next, and keep your fingers crossed that it's not too awful. Even if you know in your heart and soul that it most probably will be.
In my mind, numbers and words are far more than squiggles of ink on a page. They have form, color, texture and so on. They come alive to me, which is why as a young child I thought of them as my 'friends.'
I'm usually more concerned with how things sound than how they look on the page. Some people write for the page, and that's a whole other thing. I'm going for what it sounds like right away, so it may not even look good on the page.
A book is a physical object in a world of physical objects. It is a set of dead symbols. And then the right reader comes along, and the words—or rather the poetry behind the words, for the words themselves are mere symbols—spring to life, and we have a resurrection of the word.
There will never again be a day exactly like today. There will never again be a moment exactly like this moment. After my next birthday, I will never again be the age I am right now. After midnight tonight, today will be part of history. Someday I'll be dying and I'll wish I'd done all the things I want to do now. Someday I'll be dead and I won't be able to do anything. But today, right now, I'm alive. And yet I'm writing nonsense on the back of my literature book. But I'm alive. And yet I'm just sitting here. But I'm alive.
Ariel Gordon is superbly, supremely, a poet of the body. She finds words for the physicality of the forest, of the garden, of pregnancy. Hump speaks the erotics of being alive and being in love with being alive.
A lot of times, you're not necessarily off the page because you haven't been able to take the time to prepare a character. It's very easy to find even great actors reading it more like a reading. Things aren't really coming alive yet, even though you know they will.
Reading asks that you bring your whole life experience and your ability to decode the written word and your creative imagination to the page and be a co-author with the writer, because the story is just squiggles on the page unless you have a reader.
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