A Quote by Mary Gaitskill

Anne Frank's diary made a very big impression on me at age 12 or so. — © Mary Gaitskill
Anne Frank's diary made a very big impression on me at age 12 or so.
I've been inside the Anne Frank house. You've only read about Anne Frank in grade school. I've been in it. I've seen the diary. Things that teachers couldn't teach you.
'The Diary of Anne Frank' gets pretty dark toward the end. But there are some comic moments in the early part of the play. Anne was a goofball at times.
But I think what made me go into theater was seeing my mother onstage. The first thing she did was Mrs. Frank in 'The Diary of Anne Frank.' The second thing she did was a play about Freud called 'The Far Country.' She played a paralyzed woman in Vienna who goes to see Freud.
Augustus Waters," I said, looking up at him, thinking that you cannot kiss anyone in the Anne Frank House, and then thinking that Anne Frank, after all, kissed someone in the Anne Frank House, and that she would probably like nothing more than for her home to have become a place where the young and irreparably broken sink into love.
I started keeping a diary in third grade and, in solidarity with Anne Frank, gave it a name and made it my confidante. To this day, I feel comforted and relieved of loneliness, no matter how foreign my surroundings, if I have a pad and a pen with which to record my experiences.
[I] read Anne Frank's diary [while imprisoned] on Robben Island and derived much encouragement from it.
When I first read Anne Frank's 'Diary of a Young Girl,' I saw for the first time that a girl could be a writer and that it had something to do with survival and with ethics and fighting against evil. I admired her, though her diary remained terrifying and mysterious to me. She was a character in a real fairy tale - fairy tales are brutal.
Until I read Anne Frank's diary, I had found books a literal escape from what could be the harsh reality around me. After I read the diary, I had a fresh way of viewing the both literature and the world. From then on, I found I was impatient with books that were not honest or that were trivial and frivolous.
My family is very excited about me doing Anne Frank.
I'm awful at karaoke, but if I did have to sing, I'd go for my favourite Frank Sinatra song 'I've Got You Under My Skin.' The fact I love Frank is my grandfather's doing: he drummed it into me from a very early age that Frank Sinatra is God.
One summer I remember, I got exposed to Chuck Berry and Buddy Holly and Buddy Holly was a very very big, made a very big impression on me. Because of a lot of things, you know, the way he looked and his charisma.
Like a lot of people, I read 'The Diary of Anne Frank' again and again and again when I was growing up - I'm still completely felled by what an astounding book it is. And as a teenager, I did a lot of reading about concentration camps and the vast horrors of the war.
The kiss lasted forever as Otto Frank kept talking from behind me. "And my conclusion is," he said, "since I had been in very good terms with Anne, that most parents don't know really their children.
My relationship with Paris began when I was working for Cerruti in the mid-1960s. When there was an important event in his store, Nino Cerruti very kindly took me with him. I was fascinated, and the city made a big impression on me.
I had a high school English teacher who made me really work at writing. And once, when I got an assignment back, she'd written: 'This is so good, Andrew. This should be published!' That made a big impression on me.
When I was 17 years old, Frank DiLeo saw my very first music video and flew to my hometown of Las Vegas to meet with my family and me. Frank told my dad, 'I am coming out of retirement to manage one last big act: Manika.'
This site uses cookies to ensure you get the best experience. More info...
Got it!