A Quote by Mary Gaitskill
There is a sense in which we have - like, I go in to teach a class; I may be somewhat different than I would be talking to you, although it's related because it's public. I'm very different with my roommate or my lover or my cats. But I don't know if that means you're acting, really, if you're being truthful.
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Every poet I know - although there may be some I don't know who lead very different lives, who maybe live in the country and don't teach - tends to be just like the rest of us: just really busy, really overcommitted.
I really like 'Wannabe' from Itzy, because being a 'wannabe' means acting different than who you really are.
For the camera, I like the feeling of changing into different characters. Even though I'm not acting, I still have to be someone different to show the product. If I'm not being someone different, I won't find it fun. I love the shows because it transforms you into a different person. Not Malaika - it makes me someone else. Naturally, I'm quiet and crazy. But when they give me an outfit, like a very elegant outfit, it transforms me into this beautiful woman - I can feel it inside me. I like that, playing different characters. I'm really interested in acting.
There are certain concepts, which exist in English, and are unthinkable, untranslatable into Hebrew and vice versa. Hebrew has a system of tenses, which is, in a big way, different from the English system of tenses, probably different than any European system of tenses, which means a different sense of reality, which means a different concept of time. So, things can be translated, but they become different.
I mean, being a solo artist is very different than being a member of a band. It's absolutely different. The whole situation is very different - situations where you can't really compare, it's so very different. But I found happiness.
Hebrew has a system of tenses, which is, in a big way, different from the English system of tenses, probably different than any European system of tenses, which means a different sense of reality, which means a different concept of time.
John Barth, I think, was really a writer of my own age and somewhat of my own temperament, although his books are very different from mine, and he has been a spokesman for the very ambitious, long, rather academic novel. But I don't think that what he is saying, so far as I understand it, is so very different from what I'm saying.
You could ask me to teach you.” “Huh?” This night is getting weird in a hurry. “Teach me like you’re teaching a class or something? What are you going to call it: ‘You Too Can Be a Sociopath 101’?” “It would be more like a graduate-level class.” I start to snicker. His sense of humour sneaks up on you. Then I remember who’s talking and bite it off.
People stopping you in the street, though, is very different from being hounded by the press, which is the kind of attention that celebrities get, and I'm probably too old for that kind of thing to happen anyway. I think it happens more when you're dating all sorts of different very handsome actors or something. They want gossip and scandal, and they know they're not going to get it from me because I'm too old to be scandalous. Of course, they could read the book - although it's not really a scandalous book.
I been me from day one, I'm not 'bout to start acting different, talking different, treating people different, or looking different.
Being just yourself means you're unselfconscious in that moment. Or maybe we're all self-conscious to an extent. You meet a pretty girl, you're different from when you meet a tough kid on the street. So perhaps we always are acting, in a sense. But you meet someone you feel you admire or you "know," and it'll be different for that reason. So far, it's an interesting ride, and I'm curious to see what I can find next.
Working with children is very different than the way in which I work with adults. I never tell the children the actual truth of the thing that I want them to act. Although children are really into play and play acting, and this is a major part of their existence, they never actually find the playing or acting of adults credible.
I can tell you that I like to take a character where everyone may have an idea of what it's supposed to look like and go in a completely different direction with it. I like to make it my own and make it very personal to me, which will end up probably looking completely different than someone else's take on it.
When I'm on television, I'm talking to millions of people, so the conversation is totally different. My words are different. My diction is different because now I'm really talking American English and not homeboy English.
I think people should be allowed to do what they want to do. I think that it doesn't make sense for a certain class to be able to get married and be treated differently when others are not. But I don't equate polygamy with same-sex marriages - and I know you don't either. Polygamy is a different story because it has different class differentiations in it.
I think there are all sorts of ways of turning into an actor, and there are a vast variety of different actors. You know, you interview plenty of actors and you know they come at it from a different direction and acting means different things to a lot of people.
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