A Quote by Mary Gaitskill

I didn't start thinking about what I wanted to do professionally until I was 17. I was a hippie, but I did write. — © Mary Gaitskill
I didn't start thinking about what I wanted to do professionally until I was 17. I was a hippie, but I did write.
I have this theory about us. When we started writing our own songs, we were 17 years old. When you're 17, you write songs for other 17-year-olds. We stopped growing musically when we were 17. We still write songs for 17-year-olds.
What qualified me to write about Israel was that I wanted to; it took no time to convince myself. The only reservation I had was about eaven: I wanted to write about the Jewish heaven but did not feel qualified because I did not and do not believe in 'it,' though I should.
I really wanted to do, more than anything else, up until I was around 16, 17, was write musicals.
I started acting professionally when I was about 17. I worked immediately, but a year into it, I did an independent film in Canada, and that started it all. It was proof that maybe I could do this as a career.
I came into music kind of late in life - until I was 17 I wanted to be a spy, wanted to be James Bond, so I had to learn rather quickly and practice longer than most people did to play catch up.
It is completely a God thing that I am here today because for the first 17 years of my life, I never thought I would ever do music professionally. I'd always liked what my dad did, but I never thought that I wanted to do it, just to be different.
One of the reasons I am happy now is that I did the work I had always dreamed of doing. But I didn't start doing it seriously and professionally until I was forty years old.
I was thinking about what I wanted to write next, after my first novel, and had decided that I wanted to write a story with a lot of strong female characters in it.
I'm a morning person because I learned to write my novels while still practicing law. I would get to the office at 6:30 a.m. and write until other people arrived, around 9. Now I still do that. I start at 6:30 or 7, and I'll write until 11, then take an hour off, then work until about 2 p.m. By then my brain has had enough.
I dropped out of school at 17 'cause all I wanted to do was play music. I had odd jobs on the side of gigging until I turned 22, when I was lucky to start doing this full time.
Just work. Don't wait. Everybody's waiting until they have the perfect idea to start working. Even if you have an inkling of what you want to do, start moving towards it. And it's going to flesh itself out through the process of moving towards the goal. And by the time you get to where you're going to be, it's not going to look anything like it did when you sat on the couch thinking about it. And if you wait until it's perfect in your head before you get of the couch and start working on it, that's never going to happen.
I used to start at about 10 at night and work until early morning. My preferred way to work is to start in the early afternoon and work until about 3, go do errands, have dinner, and then write for a few more hours in the evening.
I just went into the studio and did it all in one take. All I was thinking about was the next record; I had already sourced the tracks I wanted to use. I'd been thinking a lot about it and I wanted to represent myself, Leeds and fabric. I'm not very nationalistic, but I wanted to represent what was coming out of Britain as well as at the moment there's a lot of really good new music.
I never did any sports at school. It wasn't until I moved to America, to New York, when I was about 20 that I actually thought that if I wanted to be an actress I might have to start working out.
I always thought I wanted to play professionally, and I always knew that to do that I'd have to make a lot of sacrifices. I made sacrifices by leaving Argentina, leaving my family to start a new life. I changed my friends, my people. Everything. But everything I did, I did for football, to achieve my dream.
I didn't write professionally at first. It took me nine years to get anything published. At the beginning I mostly wrote picture books, which were rejected by every children's book publisher in America. The first book of mine to be accepted for publication was ELLA ENCHANTED, and not one but two publishers wanted it. That day, April 17, 1996, was one of the happiest in my life.
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