A Quote by Mary Gauthier
I got interviewed by one writer who started with the line, 'Mary Gauthier is a woman who clearly doesn't care how she looks.' I do too. It's just that I'm not very good at it.
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Mary Gauthier's great. Yeah, we've played a lot of gigs together. She's really wonderful.
My grandmother is still a woman who worries about what she looks like when she goes outside. She's from that era, and I can remember saying to her, 'Grandmother, we're just going to the grocery store.' And she'd be like, 'I've got to fix my face!' You were very aware of how you were presenting yourself to society in 1960s Las Vegas.
When ["Wonder Woman" creator William Moulton] Marston died in 1947, they got rid of the pervy elements, and instantly sales plummeted. Wonder Woman should be the most sexually attractive, intelligent, potent woman you can imagine. Instead she became this weird cross between the Virgin Mary and Mary Tyler Moore that didn't even appeal to girls.
Hannah Storm in a horrifying, horrifying outfit today. She's got on red go-go boots and a catholic school plaid skirt ... way too short for somebody in her 40s or maybe early 50s by now...She's got on her typically very, very tight shirt. She looks like she has sausage casing wrapping around her upper body ... I know she's very good, and I'm not supposed to be critical of ESPN people, so I won't ... but Hannah Storm ... come on now! Stop! What are you doing? ... She's what I would call a Holden Caulfield fantasy at this point.
When you look at the dominance of Notre Dame, the love of Mary in almost every European country, psychologically, had to come from this recognition of the feminine mediating divine love. And for many people in history, it was clearly the preferred way because women raised most people, not men, so their first experience of unconditional love, of touch, of caring, of nurturing very often came from a woman - that got easily transferred to Mary.
The mother must teach her son how to respect and follow the rules. She must teach him how to compete successfully with the other boys. And she must teach him how to find a woman to take care of him and finish the job she began of training him how to live in a family. But no matter how good a job a woman does in teaching a boy how to be a man, he knows that she is not the real thing, and so he tends to exaggerate the differences between men and women that she embodies.
Meryl Streep doesn't care how she looks. She just surrenders to the truth of the character. Not everybody has the ability to do that. They look good and they can pretend to be that person, it's not the same as being that person. And there are not many actors who will surrender to that.
Good art can come out of thieves, bootleggers, or horse swipes. People really are afraid to find out just how much hardship and poverty they can stand. They are afraid to find out how tough they are. Nothing can destroy the good writer. The only thing that can alter the good writer is death. Good ones don't have time to bother with success or getting rich. Success is feminine and like a woman; if you cringe before her, she will override you. So the way to treat her is to show her the back of your hand. Then maybe she will do the crawling.
She's the only woman I've ever had a sexual fantasy about. With me, looks come first, and she's everything a woman should be. She's blonde and beautiful, she's got the most incredible legs - et cetera, et cetera. And she's French as well. (on Brigitte Bardot)
I like Madonna a lot. I think she's really good and I think she's a good singer. I think she looks good and she's got a nice kind of... I don't think she's got a sinister or cynical vibe around her, and I don't think she's got any sort of bullshit around her.
A woman doesn't care if she hasn't a stomach, provided she looks as if she hasn't.
A woman can never be too rich or too thin, but until very, very recently, she could be too powerful, for which - if she wasn't smart enough to camouflage herself - she generally paid the price.
When I first started writing comics, in the way-back days, Typhoid Mary was my explosive response to women characters in comics - I made her an innocent virginal type, a clever, dark, liberated woman, and as Bloody Mary, a feminist bent of punishing men - all in one character. She was an instinctual rather than a calculated creation.
Betty White is a riot. She is a good time! That is the bottom line: Betty White is a good time. She is really an incredible woman. She is so kind. She doesn't have one mean bone in her body, and she is the funniest woman in the room always. And you'll never hear one complaint from her.
A woman cannot do the thing she ought, which means whatever perfect thing she can, in life, in art, in science, but she fears to let the perfect action take her part and rest there: she must prove what she can do before she does it, -- prate of woman's rights, of woman's mission, woman's function, till the men (who are prating, too, on their side) cry, A woman's function plainly is... to talk. Poor souls, they are very reasonably vexed!
Mary doesn't want to be treated as Mary J. Blige: she just wants to be Mary.
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