A Quote by Mary Gauthier

I'm sort of stuck in adolescence in many ways, like most artists, and march to my own beat. — © Mary Gauthier
I'm sort of stuck in adolescence in many ways, like most artists, and march to my own beat.
I think the category of perpetual adolescence, it's a new thing, and it's a dangerous thing. Adolescence is a pretty glorious concept. It's about intentionally transitioning from childhood to adulthood. Being stuck in adolescence - that's a hell. Peter Pan is a dystopia, and we forget that.
We have the most prolonged adolescence in the history of mankind. There is no other society that requires so many years to pass before people are grown up ... Adolescence is nurtured and prolonged by educational processes and by industry that has found a bonanza in embracing the adolescent population and fortifying 'adolescent values.' This prolongation of adolescence robs the country of the population group having the most risk takers, and the highest ideals.
I feel like I've been training my entire career for this moment in a lot of ways. So many artists just want to draw Batman, and I'm getting the opportunity to do the backups in a brand-new Scott Snyder project that has so many artists.
Most artists have experienced the creative block. We get stuck in our work. We beat our head against the wall: nothing. Sometimes, it is because we are trying something at the wrong time.
March to the beat of your own drummer.
There are still many different ways to get stuck, existentially stuck. Feeling like, "This is worthless. I'm wasting my time, and I would be wasting the time of someone who tried to read this." It happens all the time.
For artists and intellectuals today, what is most needed is to be clear about social responsibility, because that is what most people automatically give up. Just to protect yourself as an individual is very political. You don't have to march on Tiananmen, but you do have to be clear-minded, to find your own means of expression.
Adolescence is a modern construct and very American in so many ways.
All do not develop in the same manner, or at the same pace. Nations, like men, often march to the beat of different drummers, and the precise solutions of the United States can neither be dictated nor transplanted to others. What is important is that all nations must march toward increasing freedom; toward justice for all; toward a society strong and flexible enough to meet the demands of all its own people, and a world of immense and dizzying change.
I mean, in many ways, you know, I felt very connected to Ian (Dury) on, on a lot of levels. I mean, politically, & sort of, socially, our, kind of, social backgrounds are quite similar in many ways, as well as our kind of artistic endeavors. So there were many, many things that sort of chimed in for me, and kind of made me feel very instinctive about playing him, and, and although, there was sort of a certain amount of impression involved, actually, there's a lot of myself in the role.
You go through your 20s sort of like a chrysalis in many ways, stretching into your own skin and trying to bust out of a cocoon.
I was like, 'Okay, cool, I'ma learn how to produce my own beats,' and I stuck to it. Now, it's hard to even take a beat from anyone else.
I welcome someone who is willing to march to the beat of his own drum - to hell with the haters.
I've always been the opposite of mainstream. I march to my own beat. It's the only way I know.
Designers + artists see potential in things where others do not. I think artists in many ways are the original entrepreneurs.
I think the role of artists in the past was very different. Artists had less responsibility in many ways.
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