A Quote by Mary Gauthier

When I became a songwriter, it was out of some sort of desperation. I needed to create something. I had to latch on to something, and the guitar was what I grabbed. — © Mary Gauthier
When I became a songwriter, it was out of some sort of desperation. I needed to create something. I had to latch on to something, and the guitar was what I grabbed.
I grew up playing guitar and writing music, and I always wanted to be a songwriter and a singer and play the guitar. But while I was finishing college, my drag became lucrative, so I had to pursue what was going to pay the bills - and doing comedy as Trixie was something that I was able to market.
I sort of got into Westerns... It was a sort of desperation move, really. I had several pictures that didn't go very well, and I just realised that I would have to try something else.
I think representation is something that's absolutely needed. I felt like with K-pop being so hot, we could leverage that to potentially do something bigger with music in the States that people could latch onto.
Common sense says that if something possessed the ability to create itself from nothing, then that something wasn't nothing, it was something - a very intelligent creative power of some sort.
I sort of latch onto roles that have something to fight against.
I most enjoy sitting down with the acoustic guitar and just fiddling around and trying to come up with something like a hook or some sort of melodic line. That's something that I do habitually.
I've seen kids turn their lives around. It's usually a kid who's outside of the team-sport world, or maybe has a darker personality or doesn't fit in. Skateboarding ends up being something they latch onto. It sounds hokey, but finding a focus on something - whether it's skateboard or playing your guitar - can be life changing.
Lying became part of my life. I lied if I needed to lie to get something or get out of something
Maybe there is a sort of a sweet middle ground there, where you can do something with something with like 20 to 40 million and do something which is much more character driven, but still create a sort of visual spectacle around it. That is what I'd like to do.
One thing I've noticed over the years is that young players - I mean 10- and 12-year-olds - really like my guitar style. There's something in my guitar style that they totally can latch onto and learn quickly, and then go from there to your Yngwie Malmsteens or your Steve Vais or whatever.
I have sat with the mothers who have lost addicted sons. I have sat with families of kids who have been killed in drug-related gang violence. I have been to the prisons. I have seen the effects. At some point in time, I felt I had to do something other than write a novel about it, that I needed to try to make some sort of contribution, at least try to make some sort of difference in the real world.
I don't need a psychiatrist. I can sort out my fears with my work. That's the privilege of all artists, to be able to sort out their unhappiness and their neuroses in order to create something.
People are always looking for something new and something to latch on to and to back something from an early stage.
I've definitely had my hard partying moments. I've definitely had the long stretches of time in my personal life where I've felt an intense loneliness and a desperation to feel something real and to have something that truly meant something in my life.
I've definitely had the long stretches of time in my personal life where I've felt an intense loneliness and a desperation to feel something real and to have something that truly meant something in my life.
I never intended to set out and be a singer-songwriter. I just sort of became one because I put out my own record.
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