A Quote by Mary Gordon
I don't have any great first job tales: I've never worked on a tramp steamer or in a coal mine or anything like that. I think the inspiration for my writing came largely from my father and the joy that life in books represented to me.
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Writing is writing to me. I'm incapable of saying no to any writing job, so I've done everything - historical fiction, myths, fairy tales, anything that anybody expresses any interest in me writing, I'll write. It's the same reason I used to read as a child: I like going somewhere else and being someone else.
My father got a job at Bradford University in textiles. And he came for - I guess, you know, why do people immigrate? - like, for a better life to find, you know, a new world. And, you know, I think he always - he saw it as an opportunity. And so yeah so we came to this coal mining town in the north of England and that's where I grew up.
Yet it is true—skin can mean a great deal. Mine means that any man may strike me in a public place and never fear the consequences. It means that my friends do not always like to be seen with me in the street. It means that no matter how many books I read, or languages I master, I will never be anything but a curiosity—like a talking pig or a mathematical horse.
A friend of mine had his own theater company, and he jumped me in like I was in a gang. And once I came in, it was just that simple. For the first time in my life, I felt, 'This is a career, this is a life that I think I can grow old doing.' It was love at first sight. I loved being on stage and reading these plays. It was great.
A friend of mine had his own theatre company, and he jumped me in like I was in a gang. And once I came in, it was just that simple. For the first time in my life, I felt, 'This is a career, this is a life that I think I can grow old doing.' It was love at first sight. I loved being on stage and reading these plays. It was great.
I was the first son and first child. When my sister came along, well, she was two years younger, and I had to go to the golf course because my mother couldn't handle all the action going on. So I came with father to the golf course since I was a year and a half old and I spent the day with him here, and it worked in naturally. And it was fun for me being with my father, and doing things that a kid did it was great.
My inspiration is my life, what I see happening around me. It can be history and, quite often, plain traditional fairy tales. But I never adapt; I nourish myself with old stories, and then create my own tales.
Like any parents, mine wanted me to have a secure job with a regular wage and career prospects. And the one job my father knew of, that he'd had experience of himself, was the army, so he could help me in that direction.
My first job was with the Burns Detective Agency. They sent me over to the East River to guard coal barges during these god-awful hours like three to six in the morning. It wasn't a very difficult job -- all I had to do was make a round every fifteen minutes -- but it turned out to be a great environment for writing. I was completely alone in a little outhouse with an electric heater and a little desk.
I've never worked a day in my life. The joy of writing has propelled me from day to day and year to year. I want you to envy me, my joy. Get out of here tonight and say: 'Am I being joyful?' And if you've got a writer's block, you can cure it this evening by stopping whatever you're writing and doing something else. You picked the wrong subject.
[Fairy tales] are like a journey to the woods and the many ways you can get lost. Some people say it's not a good idea to read fairy tales to anyone under the age of eight because they are brutal and raw. When I was a kid I often felt that kids's books were speaking down to me, but I never felt that way about fairy tales. They are bloody and scary, but so is life.
I was never ideological in any sense, or a slave to any particular politics or religion. My solace and my inspiration always came from books and literature.
At least three times a week, I am overwhelmed with a wave of gratitude to New York City for providing me with a life. Not that my life is so great, although I think it's pretty nifty: I don't mine coal; I get paid to write.
In researching literary agents I did what the books tell you to do: I looked at the acknowledgments page of a book that was similar to mine. Happily, that author thanked his agent. I looked up the agent on the web and found out that he not only represented authors writing books similar to mine, but I knew some of his clients! So, I sent in the manuscript, and they decided to represent it.
I've been writing all these books that have been largely autobiographical and yet, really, they don't tell you anything about me. I just use my life story as a kind of device on which to hang comic observations. It's not my interest or instinct to tell the world anything pertinent about myself or my family.
Writing is hard for every last one of us—straight white men included. Coal mining is harder. Do you think miners stand around all day talking about how hard it is to mine for coal? They do not. They simply dig.
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