A Quote by Mary Harron

The really important people in TV are not the directors; they're the writers. — © Mary Harron
The really important people in TV are not the directors; they're the writers.
I've been really lucky in terms of film projects with people, terrific actors and also writers and directors that I really respect.
TV and film are very different media with different requirements. In a TV show, you have actors and fellow writers and directors, who are interpreting your work. With a novel, you only have ink, words and your reader.
Cable TV has become where the best actors, writers and directors have gone to work because they are allowed to do character-driven stories.
I think they're really linked. I think books and movies are going to go a long way together in the future. I think we writers are very important material for directors.
Maybe the the luxury of not having acting be my only profession is that I can be more selective about what I choose to be in. I've been really lucky in terms of film projects with people, terrific actors and also writers and directors that I really respect.
I've been really lucky to work with some really great film people in the past, but television works on a much quicker schedule, and it's the TV directors I've worked with that I looked to and became a big fan of.
I never look a gift horse in the mouth. And I've been really, really lucky. I'm aware of that. And my career has been given to me by the people I've worked with, no question. The actors, the directors, the cinematographers, the writers, all of whom gave me the opportunity to work in the way that I have and I'm really grateful.
I think it's important to remember where I began. I know that when I talk to other writers, say, writers from the South or writers from abroad, it's where they begin as children that is important to them.
I think its important to remember where I began. I know that when I talk to other writers, say, writers from the South or writers from abroad, its where they begin as children that is important to them.
The greatest thing about having done 'Orange' are the doors that have opened for me, and people have been able to see me, like the executives and the casting directors - also, all of the fantastic directors and writers for independent films.
The whole world of 'Game of Thrones' was realized with such detail, with directors and writers who really geeked out and really loved all the little bits of it.
I've definitely become more aware and conscious of what directors I'm working with because it's so important. The director is really more than half the battle of the film. You really rely on that. That's become really, really important to me, for sure.
All the characters play an important role. For me, as an actor, for my character to come out so beautifully, I would give all the credit to my co-actors, directors and writers.
That excites me, working with really excellent people, be it wonderful directors or actors or cinematographers and especially writers. My work life is going to a set and having these great experiences and coming home shifted by them.
So many people - DPs, writers, and the assistants that go on to be directors and writers - come from the School of Spike Lee. He's almost set up an Institution of Spike Lee.
I feel like some of the best talent is on TV right now, with the writing, acting and great directors. I've also been looking for the consistency of work that TV provides for you. And, I always thought it would be really interesting to live with a character for months, if not years.
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