A Quote by Mary Hart

We can't laugh quite as much on camera, but we sure do on the set. — © Mary Hart
We can't laugh quite as much on camera, but we sure do on the set.
The feeling I have reminds me of New Year’s Eve, when the countdown is coming and I’m not quite sure whether to grab my camera or just live in the moment. Usually I grab the camera and later regret it when the picture doesn’t turn out. Then I feel enormously let down and think to myself that the night would have been more fun if it didn’t mean quite so much, if I weren’t forced to analyze where I’ve been and where I’m going.
When I was on set I tried not to bug Steven Soderbergh too much. "Why did you put the camera there?" But he was very open to my questions and definitely being on his set was really thrilling because he's such a master.
Are you quite sure that all those bells and whistles, all those wonderful facilities of your so called powerful programming languages, belong to the solution set rather than the problem set?
He breathed out, not quite a laugh or a sob. "God, yes. Bianca, I love you so much. Even if I never see you again, even if we walk out of here into an ambush you set up with your parents, I am always going to love you.
In my years of acting, the one thing I was never able to do convincingly was to laugh on camera. Fake-laugh.
I think at this point, I'd eventually like to work behind the camera. That's not to say I would never act again, I'm not quite sure to be honest.
I love the luxury of the camera. The camera does so much for you. I like the secrets a camera can tell.
I know what to do with the camera because I see the giant in the camera when I'm operating it live on the set.
I built my own studio. I don't have the professional language to describe it because I'm not a videographer - but I'm a technician. So I get the camera, I get all the things that translate the camera to the computer, I set up a live session, I do the security on it, I set up a background so I can key it out, like newscasters do, and replace it with whatever I want - and I can be anywhere I need to be.
I was very new to working in front of the camera when I started shooting 'Gatsby', so I set myself the mission of gleaning as much information as possible out of the much more experienced actors. The cast was astoundingly talented.
I was very new to working in front of the camera when I started shooting Gatsby, so I set myself the mission of gleaning as much information as possible out of the much more experienced actors. The cast was astoundingly talented.
I'm a fabulous date, I make sure I look good, I like hearing what a guy has to say and I make sure the evening is a real laugh. I like to laugh.
I love when I go on set every day, because the camera people teach me camera terms and grip terms - I learn all these new terms from different people on the set and leave feeling all cool about myself when I go out places.
Will any club dominate again? Are any club set up to dominate again? When you look at the clubs that have dominated they've usually got a core five, six or seven players who can stay there for 10 to 15 years. There is a continuity with the management. I'm not quite sure at the moment that I'm seeing the decision making at any of the top clubs to be able to suggest that domination is actually achievable again. Maybe in the future, but I'm not quite sure it'll happen very soon.
I've always looked at directing as the next step for me in my creative career, and after spending the better part of the last decade on a television set absorbing as much as I could from in front of the camera, I'm now eager to learn as much as I can from behind it.
Before each new setup, I chase everyone off the set in order to be alone and look through the camera. In that moment, the film seems quite easy. But then the others come in and everything becomes difficult.
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