A Quote by Mary H.K. Choi

For my first job interview out of college, I wore a cream-colored cotton suit with cap sleeves and an inverted box pleat skirt that was appropriate for the late-August heat - and wildly discordant with the Red Hook offices of the graffiti magazine I had called twice to find.
If I were going to prom again, I would wear a huge skirt and plain cotton tank. A big, poofy, flotation-device-sized skirt. I wish I had done that.
I conducted a bunch of interviews for Interview magazine. They actually paid me. I think I was probably 18 or 19. I was in college and I remember feeling, like, "Wow." I had a real job, and they paid me money, and it was exciting.
One time I was doing an interview for a gay magazine and halfway through the journalist found out I wasn't gay. He said, 'Sorry, I can't continue the interview.' Because they only had gay public figures in their magazine. I felt so crestfallen. I wanted to tell him: but I play fundraisers for gay marriage! I'd rather my kids were gay than straight!'
I worked at an ice cream parlor called Chadwicks. We wore old-timey outfits and had to bang a drum, play a kazoo, and sing 'Happy Birthday' to people while giving them free birthday sundaes. Lots of ice cream scooping and $1 tips.
I forget what I wore for my first encounter with Mark Zuckerberg. I know it wasn't a suit - that would have seemed out of place in the rigorously casual world of Facebook. I probably wore what I usually wear, a pair of jeans and a Gap T-shirt, maybe my black sneakers.
American Graffiti was the first movie where the director let me have any input. It was the first time anyone ever listened to me. George thought my character should have a crew cut, but I wasn't happy with that idea. I'd always had pretty long hair back then - in college, particularly - so I told George my character should wear a cowboy hat. George thought about it and he remembered a bunch of guys from Modesto, California, who cruised around, like my character, and wore cowboy hats, so it turned out that it actually fit the movie.
When I first went onstage I even had a suit jacket on with the sleeves rolled up because that's what I saw on TV or at the Improv that everybody did.
I find the whole concept of being 'SEXY' embarrassing and confusing. If I do an interview with photographs people desperately want to change me- dye my hair blonder, pluck my eyebrows. Then there's the choice of clothes. I know everyone wants a picture of me in a mini skirt, BUT THATS NOT ME. I feel uncomfortable. I'd never go out in a mini skirt. Personally, I don't actually think it's even that sexy. Whats sexy about saying, 'I'm here with my boobs out and a short skirt, have a look at everything I've got?' My idea of sexy is that less is more. The LESS you reveal the MORE people can wonder.
I had a job right out of college writing for a small newspaper called 'The Unterrified Democrat.' Ghastly, ghastly job.
There is a story in the book Night Shift, called 'The Mangler,' about a laundry machine that takes on a sort of malignant life. I worked in a laundry for about a year and a half after I got out of college. It was the only job I could find to support my wife and our first child. There was a fellow there that had no hands or forearms. He simply had hooks. This is one of the things that they don't tell you about when you become management. You have to wear a tie. It was this fellow's tie that did him in.
Mao lived very much like the rank and file of the Red Army. After ten years of leadership of the Reds, after hundreds of confiscations of property of landlords, officials and tax collectors, he owned only his blankets, and a few personal belongings, including two cotton uniforms. Although he is a Red Army commander as well as chairman, he wore on his coat collar only two Red bars that are the insignia of the ordinary Red soldier.
It wasn't until after college that I started writing. I had just applied randomly for jobs in the media and got one on a magazine called 'Pensions World.' So I was writing for a living there and that's when I started my first book.
My very first venture was a national student magazine to try to campaign against the [Vietnam] War. And so I wanted to be an editor. I wanted to bring the magazine out. And in order for the magazine to survive I had to worry about the printing and the paper manufacturing and the distribution. And, you know, I had to try to, at the end of the year, have more money coming in than going out.
I had a corporate job and wore a suit to work every day, and I just kind of felt like I wasn't living my authentic self or doing what I was passionate about.
Never wear a backward baseball cap to an interview unless applying for the job of umpire.
I was the first one to say, 'I'll cover that, I'll stay late. I'll go to that shoot.' Anything I could do to add to my job description... I also found out - you can't learn this in college - but I had a knack for dealing with talent in stressful situations and knowing how to make them feel comfortable and also being fairly truthful.
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