A Quote by Mary J. Miller
To be quite honest, along with thinking and such when it comes to writing, I'm not into words like "theory." I'm a PhD dropout. No matter how many twenty-five-page papers I wrote, I never felt like I was saying much. I didn't feel like the writer of the book, whose work I was analyzing, would have been impressed. It didn't matter how much time or effort I put in.
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Life is like a book son. And every book has an end. No matter how much you like that book you will get to the last page and it will end. No book is complete without its end. And once you get there, only when you read the last words, will you see how good the book is.
It feels like everything's been decided in advance that I'm following a path somebody else has already mapped out for me. It doesn't matter how much I think things over, how much effort I put into it. In fact, the harder I try, the more I lose my sense of who I am. It's like my identity's an orbit that I've strayed far away from, and that really hurts. But more than that, it scares me. Just thinking about it makes me flinch.
For me, writing never gets easier. It's always hard work. It doesn't matter how many words you wrote the day before, or how many novels you've completed in the last decade: every day you start fresh again with that same blank page, or that same blank screen.
Nevertheless, no matter how much they killed themselves with work, no matter how much money they eked out, and no matter how many schemes they thought of, their guardian angels were asleep with fatigue while they put in coins and took them out trying to get just enough to live with.
Skateboarding, like graffiti, will never be tamed. No matter how much they monetize it, no matter how big it gets, no matter how many companies are putting millions and millions of dollars into marketing it, it's always going to be some Mexican kid on a corner in Echo Park that changes the rules of the game.
Time passes. That's the rule. No matter what happens, no matter how much it might feel like everything in your life has been frozen around one particular moment, time marches on.
It is axiomatic among writers that no one ever sues the writer of an unsuccessful book. Just let a book go over twenty-five thousand copies and it is surprising how many people's feelings are hurt, how many screwballs think their brain children have been stolen, and how many people feel that they have been portrayed in a manner calculated to bring infamy upon them.
I was a lot dumber when I was writing the novel. I felt like worse of a writer because I wrote many of the short stories in one sitting or over maybe three days, and they didn't change that much. There weren't many, many drafts. That made me feel semi-brilliant and part of a magical process. Writing the novel wasn't like that. I would come home every day from my office and say, "Well, I still really like the story, I just wish it was better written." At that point, I didn't realize I was writing a first draft. And the first draft was the hardest part.
No matter how much you've sinned, no matter how much you've stumbled, no matter how much you fall, no matter how far you've got from God, don't give up. You can still be redeemed. As someone says, keep the faith.
Movies are definitely more fun because there are so many different seasons in a movie. It is exciting to be drafting together. Writing a book is very hard, it's like writing 15 college term papers in a row, and you are just like, "when is going to end?" You can communicate so much more when you are writing a book, and you can go so much deeper.
I don't have much to say about honesty. All that I feel about it that people don't discuss as far as I know is how much effort it is to create truly honest writing, in my opinion. It requires a lot of thinking and effort.
I feel great. I feel younger. And I don't feel anything at all. I don't know who knows, but right now I'm, how, how many years have I, fifty five, something like that. Forty three years old. And I feel like seventeen, like twenty five years ago.
The public brings our buildings to life, and we try to choreograph a lot of things, but our most successful work functions in unanticipated ways. Like the Blur Building. When little kids got in there, they cried or laughed or ran around. And no matter how much theory we put on top of it, it didn't matter: it worked.
There are lots of things we never understand, no matter how many years we put on, no matter how much experience we accumulate.
I've spent too much of my life being made to feel like there's something wrong with me. And no matter how much support I felt as a basketball player at Baylor, it still doesn't erase all the pain I felt there.
Status does not matter. It is what you are like as a player. It doesn't matter how much money you have come for. That doesn't matter to me. I will play a 17-year-old if he fights and he has quality. It is quite easy.
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