A Quote by Mary Jane Ward
But you do not think much about the stars. They are always there. Look at them when you have a moment.
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we look up and we hope the stars look down, we pray that there may be stars for us to follow, stars moving across the heavens and leading us to our destiny, but it's only our vanity. We look at the galaxy and fall in love, but the universe cares less about us than we do about it, and the stars stay in their courses however much we may wish upon them to do otherwise. It's true that if you watch the sky-wheel turn for a while you'll see a meteor fall, flame and die. That's not a star worth following; it's just an unlucky rock. Our fates are here on earth. There are no guiding stars.
When you gaze at stars and think about planets, the places it takes your imagination are amazing! You look up the sky, and you know the stars have always been here; they were referenced in biblical times and have always been present. They are somewhere up there in the future, and they guide you; they make you feel safe.
I always loved that tragic look, the bigger-than-life women. They always have those big glasses and scarfs on, and doctors and nurses always around them. You felt sorry for them, but they had their lips together, no matter what was happening to them. They always looked like movie stars.
Arsenal will always come first. You name them - Henry, Vieira, Pires, Bergkamp. People saw these stars shine, and they thought: 'Is there life after Vieira, Pires or Bergkamp?'. But look at what happens here. At Arsenal, you always see young, fresh talent grow into the same role as those stars who have left. Other players have replaced them.
You - you alone will have the stars as no one else has them...In one of the stars I shall be living. In one of them I shall be laughing. And so it will be as if all the stars were laughing, when you look at the sky at night...You - only you - will have stars that can laugh.
I think more about clicking the teeth, because I have to line them up just exactly right, and then I slam them down so they exactly meet. And I think I worry about that too much. I'm not thinking about remembering. Like, "Wow, that was a great moment went my son went trick-or-treating": click. "What was I supposed to remember?" That sort of thing.
I feel like any actor should always be thinking about how to serve the story. The thing to be cautious of is trying to make too much of your "moment," or whatever. The story is a lot bigger than you, and you're there to help it along. The thing to think about is whether what you're doing is true to the moment and where the story's going, rather than going, "Here are my scenes. What can I try and do to make the most of them?"
Anxiety is a really crippling condition, and I suffer with it myself, and I feel for anyone who suffers from it. The way that I deal with it is try as much as possible to stay in the moment to not think about the past and not think about what's coming up in the future: to try and just seize the moment as much as possible.
I think it's one of the nicest privileges as an actor is to know that you can move people in one moment, make them think about their lives, or make them laugh or make them cry or make them understand something. Or just make them feel something because I think so many of us, including myself, spend too much time not feeling enough, you know?
We are seeing, then, that our experience is altogether momentary. From one point of view, each moment is so elusive and so brief that we cannot even think about it before it has gone. From another point of view, this moment is always here, since we know no other moment than the present moment. It is always dying, always becoming past more rapidly than imagination can conceive. Yet at the same time it is always being born, always new, emerging just as rapidly from that complete unknown we call the future. Thinking about it almost makes you breathless.
It's so unfair on 'Dancing With the Stars,' because when the men celebrities are competing, all you look at is the females! So nobody really watches them. Then when you see the women stars competing, you're expecting them to look like the females and they just can't! It's an unfair advantage.
Some men are born to good luck: all they do or try to do comes right—all that falls to them is so much gain—all their geese are swans—all their cards are trumps—toss them which way you will, they will always, like poor puss, alight upon their legs, and only move on so much the faster. The world may very likely not always think of them as they think of themselves, but what care they for the world? what can it know about the matter?
I think it is all about creating characters, mixing them up with the stars and the light-years, and coming back to Earth, because we're from this universe. We're not just New York or London; we're stars.
When I have to score a film, I watch the movie first and then start thinking about it. And from that moment on, it is as if I were pregnant. I then have to deliver the child, so from that moment on, I think always about the music - even when I go to the grocery store, I think about it.
I try not to have nerves. You have to be cold-blooded. You have to think, to look at the goalkeeper: how is he positioned? You study them, you know about them, even if there isn't always time, even if it's sometimes intuition. You look to see where he is.
You know; when I look at the night sky and I see this enormous splendor of stars and galaxies, I sometimes ask the question, well how many worlds are we talking about? Well do the math, there are about 100 billion galaxies that are in the visible universe and each galaxy in turn contains about 100 billion stars, you multiply and you get about ten billion trillion stars. Well I think it is the height of arrogance to believe that we are alone in the universe, my attitude is that the universe is teaming, teaming with different kinds of life forms
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