A Quote by Mary Jane Ward
Any writer knows he has to pay for his compliments. As soon as he has said, Why, thank you, that's very generous of you, the other person clears his throat and dives into his own writing experiences.
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A person who is obsessed with Jesus knows that the best thing he can do is be faithful to his Savior in every aspect of his life, continually saying "Thank You!" to God. An obsessed person knows there can never be intimacy if he is always trying to pay God back or work hard enough to be worthy. He revels in his role as a child and friend of God.
Certainly the experiences of Seth and his relationship to his parents and his point of view of the world are very similar to my own and very much based on my experiences at the University of Southern California.
The power of magic has no known limits. A person knows, in a fair way, his own physical capacities, the weight of the blows he can deal, the furthest range of his arrows, the strength of his voice, the speed and endurance of his running; but the reaches of his mind are indefinite and, to his feeling, infinite.
A gardener who cultivates his own garden with his own hands, unites in his own person the three different characters, of landlord, farmer, and labourer. His produce, therefore, should pay him the rent of the first, the profit of the second, and the wages of the third.
The moral duty of the free writer is to begin his work at home: to be a critic of his own community, his own country, his own government, his own culture. The more freedom the writer possesses, the greater the moral obligation to play the role of critic.
My father's life was so decimated by his earliest experiences. His mother died when he was 7 years old, which he always said was the worst experience in his life. When he was 8, his father disappeared and he was on his own from the age of 8.
Heck by the time a man scratches his behind, clears his throat, and tells me how smart he is, we've already wasted fifteen minutes.
I do not believe that it is necessarily the duty of the writer to give a voice to his community. If a writer is true to his vocation, to his or her vocation, the very process of creativity enlarges these human horizons. It provides insights, even when you're not writing, when your writing's not dealing with a concrete political situation.
The writer walks out of his workroom in a daze. He wants a drink. He needs it. It happens to be a fact that nearly every writer of fiction in the world drinks more whisky than is good for him. He does it to give himself faith hope and courage. A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul and that I am sure is why he does it.
A long-dead angel who thought to own me,” was his enigmatic answer, the silver in his eyes almost liquid. “I tore out his throat. After that, I ate his liver and his heart. The remaining internal organs weren’t as tasty so I gave them to his other creatures.” Elena’s hand tightened on the handle of the knife, conscious Naasir carried gleaming blades of his own in the sheaths strapped to his arms. “I wouldn’t think a vampire who killed an angel would be permitted to live.” A slow, feral smile. “I didn’t say I killed him.
No writer who knows the great writers who did not receive the Prize can accept it other than with humility. There is no need to list these writers. Everyone here may make his own list according to his knowledge and his conscience.
We can help a person to be himself by our own willingness to steep ourselves temporarily in his world, in his private feelings and experiences. By our affirmation of the person as he is, we give him support and strength to take the next step in his own growth.
You have to get beyond your own precious inner experiences. The actor cannot afford to look only to his own life for all his material nor pull strictly from his own experience to find his acting choices and feelings. The ideas of the great playwrights are almost always larger than the experiences of even the best actors.
whenever the literary german dives into a sentence, this is the last you are going to see of him till he emerges on the other side of his atlantic with his verb in his mouth.
Why can't a man stand alone? Must he be burdened by all that he's taught to consider his own? His skin and his station, his kin and his crown, his flag and his nation They just weigh him down
In the greatest fiction, the writer's moral sense coincides with his dramatic sense, and I see no way for it to do this unless his moral judgement is part of the very act of seeing, and he is free to use it. I have heard it said that belief in Christian dogma is a hindrance to the writer, but I myself have found nothing further from the truth. Actually, it frees the storyteller to observe. It is not a set of rules which fixes what he sees in the world. It affects his writing primarily by guaranteeing his respect for mystery.
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