A Quote by Mary Karr
I've been teaching classes on memoirs since 1986, and I've been reading them all my life, and I think that I would like to write a critical book that might have some of those how-to elements in it.
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I would like to write my next book about what happened to critical intelligence in America and how it's been undermined by these really shallow ideas about human life and nature.
I'd been out to a lot of people since 19. I wish to God it had happened then. I don't think I would have the same career - my ego might not have been satisfied in some areas - but I think I would have been a happier man.
I'm always open. I try not to have a closed mind. In fact the only reason why I'm able to continue to make films since 1986 is I have been adaptable. If I weren't flexible I sure wouldn't be making films this many years as I've been doing it. I've been making a film a year almost since 1986 and that's hard. That ain't easy.
... teaching cannot be a process of transference of knowledge from the one teaching to the learner. This is the mechanical transference from which results machinelike memorization, which I have already criticized. Critical study correlates with teaching that is equally critical, which necessarily demands a critical way of comprehending and of realizing the reading of the word and that of the world, the reading of text and of context.
I think that my first book - I was trying to write the kind of book I would have loved as a kid. So it's sort of, like, a book inspired by my childhood reading and the passion that I felt about reading when I was a kid.
I've speculated about what my life might have been like as a musician, but I'm afraid I came to the conclusion that I probably would've either been teaching piano or maybe gotten to play at Nordstrom's department store.
As a digital creator, there's been so much pressure to write a book because so many of my peers have done it. I've been very adamant about saying, "No! I don't want to release a book just for the sake of writing a book. I'm going to write a book when I feel like I have something to say in a book."
A book is a map. There will be times in your life when you will feel lost and confused. The way back to yourself is through reading. There is not a problem in existence that has not been eased, somewhere and at some time, by a book. I want you to remember that.The answers have all been written. And the more you read, the more you will know how to find your way through those difficult times.
I told myself that if I hoped to write a book that helped people to take a good look at some of the names that have been written on their nametags, I would need to do the same. I had to write Hello, My Name Is from a place of authenticity, even vulnerability, being willing to let God show me areas of my life that have been incorrectly shaped by false identities I've allowed to hang around for too long. I truly felt like, 'if this book is helping me, then it's going to help someone else.'
I have been blessed in many ways, and one of those is to have been born in Africa, for me a great treasure house of stories. I have been researching it since my infancy; reading about it, talking to men and women who have spent their lives in this land, living it as I have and loving it as I do. I write almost entirely from my own experience.
Nothing detains the reader's attention more powerfully than deep involutions of distress, or sudden vicissitudes of fortune; and these might be abundantly afforded by memoirs of the sons of literature. They are entangled by contracts which they know not how to fulfill, and obliged to write on subjects which they do not understand. Every publication is a new period of time, from which some increase or declension of fame is to be reckoned. The gradations of a hero's life are from battle to battle, and of an author's from book to book.
I read the Steve Jobs book, and that kind of changed everything. I've been, like, an Apple geek my whole life and have always seen him as a hero. But reading the book, and learning about how he built the company, and maintaining that corporate culture and all that, I think that influenced me a lot.
I've been a teacher all my life. I've had my own dance studio, my own acting studio for 18 years out here... I'm just a natural teacher. I teach on all my healing work now. I think actors teach any time they work anyway. We're teaching emotions, we're teaching how to deal with emotions, we're teaching how to get around issues and deal with them. Actors are some of the best teachers in the world, because they're teaching you through entertainment, and you don't know you're getting a message.
Flying, for some reason, has never been my favorite thing, but after taking some aviation classes and reading about it and learning about it... They've been doing this for over a hundred years, they've been to the moon and back; they kind of have a good system going here.
Lately I've been thinking about the idea that all novels are, at least in some way, about the process of writing a novel - that the construction of the book and the lineage of people constructing novels are always part of the story the author is telling. I think the equivalent for memoir should be that all memoirs are, in some way, about the process of memory. Memoirs are made out of a confusing, flawed act of creation.
I is reading it hundreds of times,' the BFG said. 'And I is still reading it and teaching new words to myself and how to write them. It is the most scrumdiddlyumptious story.' Sophie took the book out of his hand. 'Nicholas Nickleby,' she read aloud. 'By Dahl's Chickens,' the BFG said.
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