A Quote by Mary Kay Zuravleff
I tried the line out on some people on the street, like, "What do you think of this: 'the art of family life is to not take it personally'?" And they would laugh. But you know, everybody's got something going on in their families, and then once you have kids, that of course exponentially rises.
Related Quotes
People are going to think and take things how they're going to take it, and I have no control over that, so it's kind of like biding time until you get your feedback. So, it's like, once the public can consume what you're putting out there, then you know. Then you know hit, miss, in between.
The perfect winter's night for me would be with all the family together. As you get a little older and everybody has their jobs and then families and kids, it definitely becomes harder to get everybody together at once.
I always knew I wanted to do comedy. I like making people laugh. I started out young just making my family laugh and trying to make kids laugh in school and getting into plays. I think it's the only thing I know how to do so hopefully it works out.
I'd really like to have a family at some point. Not that I'm not focused on my career - of course I am... And if a great project comes my way, then of course I'll take it. But I'm not actively out seeking something specific.
My brand of comedy is taking a serious approach to silliness. Small moments of modern life and human behavior make me laugh. At least that's where everything starts, and then my other through line would be a dry absurdity that exponentially spirals out of reality.
There's certain classes you have to take, certain things you have to do, certain money you must have. Then, if you listen to the counselors and social workers and everybody else talking at you, you would think that once you got out of high school and college, life would be beautiful. But it's not.
We all know him: everybody has an Archie Bunker in their family, so you love to laugh at him, and you never take it personally; everybody just has a ball laughing at him.
I think about quitting all the time. I'll take such a little thing and be like, "I quit! I've had enough of you people!" And then...I don't know, it gets better. I'm not really good at making plans so I don't have any definite plans for the future. I would love to have a family and kids at some point.
I'll tell you how you know when you're on something good: when everybody starts to tear up when they're leaving, when they're wrapping for the season. You know, when you say, "All right, we're done with McGillicuddy. That's a wrap for McGillicuddy!" And everybody applauds, but everybody's sad, because McGillicuddy's going to be gone! You know, it's like family going off to college or war. You have this intimate relationship with these people, and then - bam! - they're gone.
I always wondered, like, you know how you go to the family barbecue, and your uncle is that funny guy that you laugh at because he's family? That's how I felt with 'Fighter and the Kid.' People would laugh at my stuff, but it was always tough for me to tell. I just needed to see if there was something going on.
Filmmaking materials are in the hands of more people now than ever before. I would like to think that the more people have these tools, the more people will learn how to use them, it's another argument I would argue for, personally, for art's education. Because there are kids who aren't that literate in screen language and they've got to know how people select shots, how people edit audio, how people combine things to make what they see on the screen. It would be like the 15th century or the 16th century in Germany, and somebody amends a printing press and you don't know how to read and write.
I came back once or twice a year to visit my family, and then I would take off again. In the beginning, I think everybody thought I would get over it and get it out of my system. And I never did.
When I was in art school, I thought art was something I would learn how to do, and then I would just do it. At a certain point I realized that it wasn't going to work like that. Basically, I would have to start over every day and figure out what art was going to be.
It's hard sometimes when you're in a regular high school, you just feel like the odd kid out. The great thing about going to an art school [is] it's kind of like it's all the odd kids. It's all the kids that don't fit in at their regular schools, because you're into something and excited about something that other kids really aren't into. When you go to art school, everybody's kind of on the same page.
I think crime is a huge issue for people. If you were living in the poorest state, and you've got drug dealers at the end of the street, and your life's in misery, and you're afraid of your kids going out the door. I mean, the job of progressive politicians is to do something about that.
I have this thing called my 'Post It People': they're my closest family members. Those are the ones who count. The ones who I put their word as something special to me. So if they're all like, 'No you're good, we love you, we know who you are as a person,' then I don't take anything else personally, 'cause those are the ones who matter - my family.
Related Authors
Charles Bukowski Quotes
American
Novelist
Charles Dickens Quotes
English
Novelist
Chuck Palahniuk Quotes
American
Novelist
Ernest Hemingway Quotes
American
Novelist
George Eliot Quotes
British
Novelist
George Orwell Quotes
British
Novelist
George R. R. Martin Quotes
American
Novelist
Jane Austen Quotes
British
Novelist
Johann Wolfgang von Goethe Quotes
German
Novelist
Margaret Atwood Quotes
Canadian
Novelist
Nicholas Sparks Quotes
American
Novelist
Paulo Coelho Quotes
Brazilian
Novelist
Sarah Dessen Quotes
American
Novelist
Stephenie Meyer Quotes
American
Novelist
Veronica Roth Quotes
American
Novelist
Victor Hugo Quotes
French
Novelist