A Quote by Mary Leakey
There were details like clothing, hair styles and the fragile objects that hardly ever survive for the archaeologist-musical instruments, bows and arrows, and body ornaments depicted as they were worn... No amounts of stone and bone could yield the kinds of information that the paintings gave so freely
Related Quotes
No amounts of stone and bone could yield the kinds of information that the paintings gave so freely.
These people were well dressed in skins, had some guns, but armed generally with bows and arrows and such other instruments of war as are common among the Indians of the Missouri.
Growing up in the Libya of the 1970s, I remember the prevalence of local bands who were as much influenced by Arabic musical traditions as by the Rolling Stones or the Beatles. But the project of 'Arabisation' soon got to them, too, and western musical instruments were declared forbidden as 'instruments of imperialism.'
I am all for trying out various kinds of hair styles. I have even worn a wig earlier in a film where I essayed the part of a woman.
The musket, always a muzzleloader, took minutes to reload; an archer could aim and fire up to a dozen arrows in a minute. Muskets required continual cleaning and repair; bows were quickly made and easily maintained.
We were doing something called telemedicine, where we were using the ultrasound. One interesting application of this ultrasound is the possibility that you could possibly use it to measure critical bone areas during a long space mission and track if you're losing bone in these areas. On Earth, when they check you for bone loss, you get in this big machine. It's the size of a room and it's got a platform with an x-ray that scans your whole body and in critical areas and it takes a while and it just wouldn't be practical to have a machine like that in space.
For as long as I could remember, he had never worn a single piece of clothing that could be considered casual. Khaki shorts and golf shirts, to Umberto, were the garments of men who have no virtues left, not even shame.
The earliest paintings I loved were always the most non-referential paintings you can imagine, by painters such as Mondrian. I was thrilled by them because they didn't refer to anything else. They stood alone, and they were just charged magic objects that did not get their strength from being connected to anything else.
I don't think I'm wrong when I say that the most beautiful objects of the "stone age" were made of skin, fabric, and especially wood. The "stone age" ought to be called the "wood age." How many African statues are made of stone, bone, or ivory? Maybe one in a thousand! And prehistoric man had no more ivory at his disposal than African tribes. Maybe even less. He must have had thousands of wooden fetishes, all gone now.
The truth of the matter is, there were shows that depicted black characters that were on in the '90s, and they gave everybody a glimpse into the black experience. And then they disappeared.
At that time, 73 and 74, I became aware that there were a number of us making instruments. Max Eastley was a good friend and he was making instruments, Paul Burwell and I were making instruments, Evan Parker was making instruments, and we knew Hugh Davies, who was a real pioneer of these amplified instruments.
Maybe there were people out there whose love could survive anything, but mine was fragile. It needed to be nurtured in order to thrive and grow.
At a certain point, I stopped seeing my clothing worn by people on the streets . . . It seemed like they were being treated as museum items.
Men sucked. They were the root of every problem any woman could ever have. They were the reason for bras, the need for makeup, hair stylists, shaving legs, and high heels that made the arch feel like it had a steel rod slammed up it. They were picky, arrogant, argumentative, and so damned certain of themselves <...>.
If you look at Paleolithic cave paintings, you see how people were depicted inside nature, not outside it. It was a kind of dream time. That's what I'm exploring.
It's like going into a nuclear war with bows and arrows.
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