A Quote by Mary Lou Retton

In L.A., we had a game room with a new sensation called Pac-Man. — © Mary Lou Retton
In L.A., we had a game room with a new sensation called Pac-Man.
You know what would be a fun game? If Pac-Man was on a beach, and he was chomping coconuts. You could see how tan you could get your Pac-Man.
I've always loved video games. I played 'Ms. Pac-man' with my dad, and I Ioved 'Galaga' and 'Tempest' and grew up on the standing arcade games. Even to this day, my dad will call me if he's playing 'Ms. Pac-man' and hold the phone up to the game.
Well, I don't think most Americans are playing the super-PAC game. I think what you have is elites on both sides playing the super-PAC game.
In the early '80s, the arcade game Pac-Man was twice as popular as oxygen.
I was doing a play in New York, which we had done in New Haven, Connecticut. It was an American premiere of a play called The Changing Room written by a wonderful man named David Story. It was about a rugby team in the North of England. It got just screaming rave reviews. At that time, virtually every major critic went up to the Long Wharf Theater to see a new play like that.
Disease is the misery of our belief, happiness is the health of our wisdom, so that man's happiness or misery depends on himself. Now, as our misery comes from our belief, and not from the thing believed, it is necessary to be on the watch, so as not to be deceived by false guides. Sensation contains no intelligence or belief, but is a mere disturbance of the matter, called agitation, which produces mind, and is ready to receive the seed of error. Ever since man was created, there has been an element called error which has been busy inventing answers for every sensation.
When I was in seventh grade, I was caught stealing money from the visiting team's locker room during a basketball game. So I was sent to The Brothers. That's what they called this parochial school up in Goshen, New York. I was supposed to get closer supervision there and more "masculine influence," whatever that means. But I was thrown out for telling a couple of really lame kids on the playground that I had heroin.
I moved to New Zealand from Winnipeg when I was almost five. I hated it. It was to a city in the south of New Zealand called Invercargill and there was constant rain. There was a depressing sensation in the air.
The thing about games is, players often say they don't care about story, but then if you took the story out, what would their reaction be? If no one cared about story, we'd all still be playing Pac-Man. There's nothing wrong with Pac-Man, but the point is, there's a genre of games in which you want to become part of that world.
There was a lot of Pac haters, but I definitely love Pac. I wish I got to do a song with him.
I have a center at 412 West Chicago Avenue. It's called the Jesse White Community Center and Fieldhouse. It's a state-of-the-art gymnastics facility, game room, weight room, computer lab.
That room was not available, and the only other room had been booked for a Jewish bar mitzvah. I called the father and told him I needed the room and I would pay him to move the bar mitzvah to an adjoining room which was smaller.
The bone's 6 inches out of his leg and all he's yelling is, 'Win the game, win the game.' I've not seen that in my life. Pretty special young man. I don't think we could have gathered ourselves - I know I couldn't have - if Kevin didn't say over and over again, 'Just go win the game,' I don't think we could have gone in the locker room with a loss after seeing that. We had to gather ourselves. We couldn't lose this game for him. We just couldn't.
When I was a kid, I had an Atari 2600, and I would play Pac Man, Frogger, all that kind of stuff. And I did enjoy going to the arcade.
We had a chance to see a lot of different styles of play and you had to adapt to the different style each team plays. That?s going to help us come tournament time because the game in the Pac-10 is different from the Big East and we know how to adapt to the different styles. I?m glad I had that opportunity.
My sister and I created a show called 'The Real Life Brady Bunch,' which was sort of a theatrical sensation that got us attention in L.A. and New York.
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