A Quote by Mary-Louise Parker

I don't often see the movies I'm in; I'm usually disappointed in myself and it only serves to make me self-conscious. — © Mary-Louise Parker
I don't often see the movies I'm in; I'm usually disappointed in myself and it only serves to make me self-conscious.
A great deal of my battle, as an actor, is to widdle away the things that make me self-conscious and try to trick myself into not being self-conscious.
I would say I'm self-taught, but Corinne Day made me less conscious of myself. I was 15, and she'd make me take off my top, and I'd cry. After five years, you get used to it, and you're not self-conscious anymore.
A great deal of my battle, as an actor, is to whittle away the things that make me self-conscious and try to trick myself into not being self-conscious. So, it's always a challenge, whether I'm lying in a hospital bed or flying around with a rocket pack on my back, or what have you. On the best of days, it's a challenge for me.
Seeing a photograph of myself is often pretty jarring. Why is it that the vision I see of myself in a photo is so different than the one I see in a mirror - not to mention the "self" that I see in my mind's eye? Pondering it can pretty easily cast me into a vortex of self-doubt, wondering how the me that people experience - my voice, my personality, my creative expression - is regarded without my knowledge.
Study and research into truth often only serves to make us see by experience our natural ignorance.
I reveal all of myself. I bring all of myself to my roles. You only see me. You don't see anything else but me. That is who's there. They're manifestations of my own self.
From a self-conscious standpoint, it's hard to see myself on a screen in a way that isn't just me playing music or doing something silly.
I only want to make movies that I believe in, that I care about and that mean something to me. At the end of the day, that's the only reason I'm doing this. Hopefully I can continue to grow and challenge myself to try to do things I've never done before, and make different kinds of movies that still maintain what makes the film my film.
I consider myself more of a film fan than a filmmaker, or I guess it's kind of a balance, fortunately. But I really want to see good movies as much as I want to make good movies and I want to see bizarre movies as much as I want to make bizarre movies.
I bring all of myself to my roles. You only see me. You don't see anything else but me. That is who's there. They're manifestations of my own self.
Everything about acting is a challenge. I'm self-conscious. You couldn't do anything to cause me to be more self-conscious than to stick a camera in my face and have 60 people standing behind it, waiting for me to perform.
I only pay to take my son to the movies, because most of the time I only watch European movies, independent movies, or screen them privately. But I like to go to movies with my son because it's still fun; it reminds me of why I make movies.
Most of the performances I see on TV and in movies are so self-conscious and overacted. I would think a natural actress would be welcome.
I can't do the same movies all my life. I'm conscious of that. But it's a trade-off. 'Dear John' allowed me to do movies I've wanted to do. You learn to balance it out. I'm still learning. Only now am I getting to do the kinds of movies that I have wanted to do. So it's a steady climb. You don't jump into a Soderbergh film.
With every choice you make, be conscious of what need it serves.
Because all the movies that we tell ourselves we can't make - ballets, westerns, dramas, everything that are the hardest things to make - those are the movies that are not only winning awards which is fantastic, but also those movies that are commercial. We won't see a fascinating season like this for a while.
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