A Quote by Mary Lynn Rajskub

I had fun doing a lot of low-budget movies and web series. And I got back into stand-up where I started. — © Mary Lynn Rajskub
I had fun doing a lot of low-budget movies and web series. And I got back into stand-up where I started.
I started doing my own animated movies when I was in ninth grade; that's when I got the filmmaking bug. When I was about 16, I started writing jokes for doing stand up, and then I was 19 and started doing stand up.
I made a few movies in Holland for a lot of TV series. I came to Los Angeles and for the last 10 years, I made a lot of feature films - all kinds of low budget action movies for the studios.
Tak Fujimoto and I, when we started getting enough of a budget where we could afford the right lenses - 'cause we started out doing low-budget pictures together - we started experimenting with this subjective camera thing. And we kind of fell in love with the idea of using that as our close-up.
We love making movies. We got into the business to make movies. At the end of the day, whether you're doing a low budget film or a big budget film, you want it to do well and you want people to see it. That's the whole point. You want to put some kind of message in it.
The entertainment industry is humungous, and people have so many choices right now - they can watch web series, movies, stand-up comedies, and plays.
I started doing '30 Rock' and started writing 'Mystery Team' at the beginning of that. While I was doing 'Mystery Team,' I started practicing stand-up. While I was doing stand up, I got 'Community.' It's like I planted trees six years ago, and now they have fruit.
Before I started doing '30 Rock', I did about 25 movies. I'd always been doing stand-up every night, and then I would do, like, two to four movies a year. So I really liked doing that, and I want to get back to that, but because of the time commitment to '30 Rock', there's not much time to do that stuff.
I think one of my favorite things about making low budget movies is that when you get into expensive moviemaking territory, it's almost impossible not to reverse engineer the movies. It's irresponsible not to think about the result and the financial result. But when you make low budget movies, you can put that out of your head.
I've done a lot of very low-budget indie films, so it was just really exciting and fun to be doing a film where there's a lot more time and these huge, vast sets. I was like a kid in a playground. It was amazing!
Before stand-up, I didn't even have an agent. Once I started doing stand-up - boom. I got an agent. In fact, I got three agents. I got a lawyer. Now I get taken seriously.
One of the benefits of doing low-budget movies is you don't have to release them wide to recoup. You can release it in a smaller way, make your money back, and keep going.
There are a lot of parallels between doing a sequel and doing low budget movies, which is they give creative parameters. As a creative person myself, I work better with parameters as opposed to anything goes.
My dad was a low budget film director. I grew up as a kid making movies, based on the love of seeing what my dad was doing.
Look, I've done some low-budget movies and I've done some big-budget movies, and the big-budget movies were always kind of disorganized.
Looking back, I remember my family laughing a lot. We were never the kind of people that dwelled on hard times. My family laughs when things are tough. Growing up like that, I got used to making jokes about things that were difficult. So when I started doing stand-up, that's what I went towards.
I especially love 'Web Therapy' and I did 'Eastbound and Down' too. I had a lot of fun doing that.
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