A Quote by Mary Matalin

He who looks in the crystal ball ends up eating glass... They're way, way close. — © Mary Matalin
He who looks in the crystal ball ends up eating glass... They're way, way close.
I was able to play alongside, in my opinion, the best hitter with Miguel Cabrera and kind of watch the way he goes about it and the way he looks at situations, when to try to drive a ball versus when to shoot a ball.
He who lives by the crystal ball will eat shattered glass.
He who lives by the crystal ball soon learns to eat ground glass.
Infidelity and faith look both through the perspective glass, but at contrary ends. Infidelity looks through the wrong end of the glass; and, therefore, sees those objects near which are afar off, and makes great things little,-diminishing the greatest spiritual blessings, and removing far from us threatened evils. Faith looks at the right end, and brings the blessings that are far off in time close to our eye, and multiplies God's mercies, which, in a distance, lost their greatness.
Marlene Dietrich for the way there was something so unique about her - the way she entered into a frame and everybody looks at her and the way she winks and looks up.
The way I grew up playing, and the way most Americans have grown up, is that you hit the ball up in the air and then it stops where it lands.
You can make a very heavy and kind of dangerous 3-way shot glass out of a bowling ball.
When someone you love dies, you get a big bowl of sadness put down in front of you, steaming hot. You can start eating now, or you can let it cool and eat it bit by bit later one. Either way, you end up eating the whole thing. There's really no way around it.
I think it's really important that you don't get caught up in the way the filmmaking community isolates you and the way your life ends up being.
I feel like I'm strong enough that I don't have to do anything to turn on the ball. When I do that-when I'm ready to take the ball up the middle, when I'm willing to go the other way-that's when I can turn on the ball.
Playing on turf affects everything, you know, it affects the way the ball rolls, it affects the way the ball bounces, it affects the way you think about whether or not going into a slide. It's kind of a nightmare.
I was supposed to take the ball out. I told coach, 'There's no way I'm taking the ball out, unless I can shoot it over the backboard and it goes in. I told him, 'Have somebody else take the ball out, give me the ball, and everybody get out of the way.'
I'm not Israeli and because I'm not a citizen, it doesn't matter how often I go there - I'm still not Israeli. There's this way I feel so close to so many people there, but I always feel like I'm staring through the glass. And in a way, having this really thin piece of glass between me and this place is incredibly useful for me as a writer, because I'm just so hyper-aware of it. I could take a walk in San Francisco and probably notice a third of the things that I would notice in Israel, because I'm just attuned to everything when I'm there.
Obviously the game is more enjoyable when the ball is shared and everybody looks for each other on both ends of the floor.
I want to be the girl who has a positive influence on people's lifestyle. I don't want to be the girl who has an eating disorder, and that's why she looks the way she looks.
You feel a certain way in a glass or concrete or limestone building. It has an effect on your skin - the same with plywood or veneer, or solid timber. Wood doesn't steal energy from your body the way glass and concrete steal heat. When it's hot, a wood house feels cooler than a concrete one, and when it's cold, the other way around.
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