A Quote by Mary McCarthy
Every word she writes is a lie, including "and" and "the."
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Every word she writes is a lie, including and and the.
But how he acts, and what he says, and what he does, and who he is, they don't line up anymore, and the lie is in that not lining up, the lie is in not being what she needs but pretending that he is. No one says a word, and she sees it every minute they have together.
Every thought and word that a novelist thinks or writes is part of that castle constructed from sands on the beach of Me, including the turret or rampart or moat he may have thought or written on behalf of someone or something else.
Eleanor Roosevelt fights for an anti-lynch law with the NAACP, with Walter White and Mary McLeod Bethune. And she begs FDR to say one word, say one word to prevent a filibuster or to end a filibuster. From '34 to '35 to '36 to '37 to '38, it comes up again and again, and FDR doesn't say one word. And the correspondence between them that we have, I mean, she says, "I cannot believe you're not going to say one word." And she writes to Walter White, "I've asked FDR to say one word. Perhaps he will." But he doesn't. And these become very bitter disagreements.
She drinks pints of coffee and writes little observations and ideas for stories with her best fountain pen on the linen-white pages of expensive notebooks. Sometimes, when it's going badly, she wonders if what she believes to be a love of the written word is really just a fetish for stationery.
I'm totally into Taylor Swift. I think she has super-clever lyrics, and I love that she writes her own music. Some of the themes she writes about are stuff I wish was there for me when I was in high school, and I'm so happy she really cares about her female fans. She's not catering to a male audience and is writing music for other girls.
And she [Eleanor Roosevelt]loves being a star. And she loves being a teacher and a leader and a mentor and a big friend. Also, she's tall. She's one of the tallest girls in the school. And she's an athlete. And she writes many years later, at the end of her life, she writes that the happiest day, the happiest single day of her life was the day that she made the first team at field hockey. And I have to say, as a biographer, that's the most important fact. I
If she is given full immunity ... in order to verify that she's telling the truth, which I'm sure she is, I would be happy to submit her to a polygraph examination. Lie detector's not a good word because they can't detect lies.
Deliberately or not, every author is of course present in every book he or she writes - even in a scientific text.
They were close enough that he could feel the hurried beat of her heart. He could feel Charlotte's indecision in every word she didn't say and every move she didn't make. She was tense with uncertainty, quivering with irresolution. She might not be leaning into him, but she wasn't pulling away, either.
Every word a woman writes changes the story of the world, revises the official version.
I write by hand in my notebooks and number the drafts, so I know how crazy I can get with this. Some writers, like my teacher Marilynne Robinson, she only writes one draft. I've thought about this a lot; I think it's because she writes it 80 times in her head before it comes out.
'White Teeth' has far too many characters, and its plot is tortured. But Smith has an astonishing intellect. She writes sharp dialogue for every age and race - and she's funny as hell.
Suppose a student of mine writes in her exam that "morality is completely relative to culture, so nothing is absolutely right or wrong. Because of that, it is absolutely wrong to be culturally intolerant". This student, if she believes what she writes, believes a contradiction. She ought not to believe the contradiction - it's a basic epistemic norm. This is true even if she can't avoid believing it - no amount of studying will show her the light.
Adele ultimately did well in such a large way because she affects everybody, and the way that she writes seems to be popular music, not because of her skin color but because she writes great music, and it's popular in that way.
She turned to Frizz. "So you understand the problem? You can't let Tally know about Radical Honesty. There's no telling what she'll do if she finds out you could ruin her plans." Frizz's eyebrows rose. "So let me get this straight, Aya-chan. You want me, a person who can't lie, to lie about the fact that I can't lie?" "We need another plan," Hiro said.
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