A Quote by Mary McDonnell
For me, as an actress, one of the most essential things that I need to know is what do I want for and from the people around me in the story.
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I don't know about you, but I don't feel that it's my vehicle that is essential. I don't know about you, but I don't feel that it's my education that is essential. I don't think what is essential about me is my house or my car or my clothes. What is essential about me? Well, I think what is essential is that I live and embrace life right now, wherever I am. I grab it in my arms! Don't spend time crying about yesterday-yesterday is over with! I forgive my past. I forgive the people who've hurt me. I don't want to spend the rest of my life blaming and pointing a finger.
I look for roles that are a good story for me as an actress and what I think will grow me as an actress and person. I also just really enjoy working with people who are passionate about what they do.
The thing that inspires me most is reading and just observing the people around me. I think those are the two things that make me want to write.
You know, I hope that someday they make a movie about me. People need to know the story of 'Dolemite;' they need to know my story.
I know I should be Wonder Woman. They need an international actress - a fresh face. They need a woman who's tall, athletic and dark-haired - and an actress who can play the part. That's me. So, I'm coming to L.A. to work hard and meet the industry. And if 'Wonder Woman' comes together, I want it.
I don't really have a place where people can reach me via email because it got a little overwhelming. People tweet things at me like, "oh DM me for a great story that you'll definitely need to use on the show," which I don't, you know, DM them.
For me, a story's a story if people want to hear it; it's very much based on oral storytelling. And for me, a story is a story when people give me the privilege of listening when I'm speaking it out loud.
I want to be like Ford Madox Ford. I want to be talking to somebody across a fire, and I want him to join me and listen to me, and if he is fidgeting in his chair, I know I am not doing my job. I am a storyteller, and I know most people like a story.
I don't know what I want to do. There are people who want me to do things. There's a possible book. There are lots of things to consider. I just have to figure out what I want to do. I'm not one to sit around and do nothing.
Most of the people in Ghana wouldn't know me as an actress. They'd know me for my work at the U.N.
To me, when one is writing sometimes about a very specific subject with very specific people, I feel like if that story doesn't cross over, it's not working. That's very beautiful to me, to be sitting in Berlin and there's an actor reading my book in German. I don't even know what's going on, except I know to feel my own rhythms in another language and say, "If this is going well, I think everyone should laugh around now." Then maybe there's laughter, and for me, it reminds me of how story can move around the world.
I always draw from things around me that people around me have gone through... The story that could be taken really literally is not from my life exactly. But bits and pieces are, and the sentiment behind it is.
There are a lot of things I suck at. I'm not organized. I have to have partners and people around me who dot my i's and cross my t's. I'm sloppy. I'm a ready-fire-aim guy. I need to have people around me who aren't.
'LIFE Magazine' decided to do a story about a young actress in Hollywood in 1954. And I made the cover. And I remember that the fellow who was doing the story on me said, 'Listen, kid, I just want you to know, if Eisenhower gets a cold, you're off the cover.'
Because I'm a performer I can justify and sometimes sell the things about me that offend and shock the conventional world. I need to live life in the fast lane. I need to do things to excess. I need to go over the edge. I have an obligation to experience the things most people can't experience. The taboos. The things you're not supposed to know or do. That's part of my job. That's why I do it. I would probably do it anyway.
For many years I thought, "Well, I need to know a lot more to direct." But I looked around and watched all the people I know directing and thought, "No. I just need to know what I want it to be." Then there will be a lot of people to help me get it to there, especially Bobby Bukowski, he's a brilliant cinematographer.
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