A Quote by Mary McLeod Bethune

[To the patronizing train conductor who had twice said, 'Auntie, give me your ticket':] Which of my sister's sons are you? — © Mary McLeod Bethune
[To the patronizing train conductor who had twice said, 'Auntie, give me your ticket':] Which of my sister's sons are you?
A man gets on a train with his little boy, and gives the conductor only one ticket. 'How old's your kid?' the conductor says, and the father says, 'He's four years old.' 'He looks at least twelve to me,' says the conductor. And the father says, 'Can I help it if he worries?
If a train doesn’t stop at your station, it’s simply because it’s not your train. Don’t try to flag down the conductor and convince them to stop there, even if their own map says that they should just keep going. You may not realize it, but there’s another train trying to come toward you, unable to get into your station because a train that doesn’t even belong there is being delayed there by your intensity.
I'm the ugly sister. I'm the fat one. I'm the transvestite. I have had those mean things said about me at least twice a day for the last five years. It's horrible, you know? But I can brush that stuff off.
The best is to go into a train station that I've built and buy a ticket. The guy in the ticket booth might recognize me, which is a marvelous feeling, but it might be that he doesn't and I go in like any other passenger, except that I enter with a critical eye, looking to see how it's held up.
You are the conductor of your own success train.
I prefer it when the conductor follows me. It is more difficult to work with a conductor who does not listen - even if I understand that sometimes it makes sense when one person is ruling everything. But for bel canto, I have to have a conductor who listens and supports me.
I can't tell you how many times I've booked an air ticket only to get to the airport and find out they killed my ticket because it goes into the system, and the program tosses a ticket that says 'fake' on it. Twice I've gone to the counter for a KLM flight through Northwest and have been rejected.
I had always assumed we had an unspoken understanding about these things: that she didn't really mean I was a failure, and I really meant I would try to respect her opinions more. But listening to Auntie Lin tonight reminds me once agian: My mother and I never really understood one another. We translated each other's meanings and I seemed to hear less than what was said, while my mother heard more. No doubt she told Auntie Lin I was going back to school to get a doctorate.
I've grown up with a really strong group of women around - my mum, sister and auntie, and I've had the same five girl mates since school.
A long-term substance abuser, a few months before his death, penned this poem: Went downtown, Hastings and Main, looking for relief from the pain. All I did was find a ticket on a one-way train. ... Give me peace before I die. The track is laid out so well; we all live our private hell; just more tickets on the hell-bound train.
You know the actor John Garfield? In one movie he walked up to this train station, the ticket booth, and the guy says, 'Yes, where are you going?' And he says, 'I want a ticket to nowhere.' I thought: that's it. The freedom to do that. I want a ticket to nowhere.
Ever since I had that interview in which I said I was bisexual it seems twice as many people wave at me in the streets.
Gareth turned to Gregory. “Your sister will be safe with me,” he said. “I give you my vow.” “Oh, I have no worries on that score,” Gregory said with a bland smile. “The real question is—will you be safe with her?” It was a good thing, Gareth later reflected, that Hyacinth had already quit the room to fetch her coat and her maid. She probably would have killed her brother on the spot.
When I go back to family reunions everybody goes, 'Hey cousin! Hey Auntie!' And I'm like, 'Okay I don't know you, I have no idea who you are.' I am auntie and cousin for so many and even the ones in prison call me collect. And I'll be like, 'Which of my family members are giving you this phone number?'
Ruth hadn't talked to my sister since before my death, and then it was only to excuse herself in the hallway at school. But she'd seen Lindsey walking home with Samuel and seen her smile with him. She watched as my sister said yes to pancakes and no to everything else. She had tried to imagine herself being my sister as she had spent time imagining being me.
Milo refreshed Rae's drink and said, Talk to her. You need to get it off your chest." Then Milo turned to me and said, "Why don't you try a more subtle approach." "I demand you tell me your troubles," I said to my sister. "You're not as funny as you think you are," Rae replied.
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