A Quote by Mary McLeod Bethune

I thought, maybe the difference between white folks and colored is just this matter of reading and writing. I made up my mind I would know my letters. — © Mary McLeod Bethune
I thought, maybe the difference between white folks and colored is just this matter of reading and writing. I made up my mind I would know my letters.
I come to the understanding that maybe what was on the inside was more important, and that your outer covering didn't count so much as folks thought it did, colored or white, man or woman.
I used to believe in em (lines). I don't anymore. They in our heads. Lines between black and white ain't there neither. Some folks just made those up, long time ago. And that go for the white trash and the so-ciety ladies too.
As long as the colored man look to white folks to put the crown on what he say . . . as long as he looks to white folks for approval . . . then he ain't never gonna find out who he is and what he's about.
When I was growing up in rural Alabama, as a young child, about 50 miles from Montgomery, and we would visit the little town of Troy, or visit Montgomery or Tuskegee, I would see the signs that said, "WHITE MEN - COLORED MEN," "WHITE WOMEN - COLORED WOMEN."And I would come home and say to my mother and father and my grandparents, "Why?" "Why this?" "Why that?" And they would just tell me, "That's just the way it is! Don't get in the way. Don't cause trouble."
Mothers know the difference between a broth and a consommé. And the difference between damask and chintz. And the difference between vinyl and Naugahyde. And the difference between a house and a home. And the difference between a romantic and a stalker. And the difference between a rock and a hard place.
I made up my mind long ago to follow one cardinal rule in all my writing-to be clear. I have given up all thought of writing poetically or symbolically or experimentally, or in any of the other modes that might (if I were good enough) get me a Pulitzer prize. I would write merely clearly and in this way establish a warm relationship between myself and my readers, and the professional critics-Well, they can do whatever they wish.
I would start by writing to an adult, maybe a high school teacher, or maybe an aunt or uncle, and writing and telling them why you want to go to a particular university. That's probably what you would actually sound like. Then write your letter to the university, and put those 2 versions in front of you, and look at the difference between those 2 things.
There were colored and white waiting rooms everywhere, from doctor's offices to the bus stations, as people may already know. But there were actually colored windows at the post office in, for example, Pensacola, Florida. And there were white and colored telephone booths in Oklahoma. And there were separate windows where white people and black people would go to get their license plates in Indianola, Mississippi. And there were even separate tellers to make your deposits at the First National Bank in Atlanta.
I still think that maybe the "afterlife" is just something we made up to ease the pain of loss, to make our time in the labyrinth bearable. Maybe we are just matter, and matter gets recycled
The difference between writing a book and being on television is the difference between conceiving a child and having a baby made in a test tube.
I think that's one of the maybe under-discussed aspects of process - the difference between a good writing day and a bad one is the quality of the split-second decisions you made.
I think that good writing is based on good reading. Maybe it's not about writing today, maybe it's about reading today. Maybe it's about finding the sort of book you would never read.
The difference between helping and selling is just two letters. But those two letters are critically important to the success of business today.
There’s a big difference between death threats and love letters–even if the person writing the death threats still claims to actually love you. Of course, considering I once tried to kill someone I loved, maybe I had no right to judge.
Reading the script for 'Jennifer's Body,' I just thought that here was a script that really exposes the horror between girls and friendships. I always sort of approached the film with that in mind first, and then thought about the crazy ways that that horror would express itself.
I started writing while I was a little boy. Maybe it's because I was reading a lot of books I admired, and thought that I would like to write something like that someday. Also, my love for good writing pushed me.
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