A Quote by Mary Midgley
The world in which the kestrel moves, the world that it sees, is, and always will be, entirely beyond us. That there are such worlds all around us is an essential feature of our world.
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The media we surround ourselves with allows us to manufacture our own experience every day, which is a perception of the world that is our own invention entirely, whether it is on social media or what we choose to absorb. This was very different when I was a kid, like generations before us we were exposed to things that were not entirely on our terms. We had to wrestle with and find the relationship with the world around you. It was literal experience, unlike the form of protracted psychic masturbation that is the digital world we live in.
Today, the reason we haven't found our grail, the key to who we are as women, is because we look for it in worlds of false power, the very worlds that took it away from us in the first place. Neither men nor work can restore our lost scepter. Nothing in this world can take us home. Only the radar in our hearts can do that, and when it does, ... 'We will light up like lamps, and the world will never be the same again.'
In a perfect world perhaps we would all see more clearly. But this is not a perfect world, and it is enough to hope that each of us will share our talents, and find the balance between greed and benevolence that will allow us to live and thrive and help the world around us grow.
Thanks to art, instead of seeing one world only, our own, we see that world multiply itself and we have at our disposal as many worlds as there are original artists, worlds more different one from the other than those which revolve in infinite space, worlds which, centuries after the extinction of the fire from which their light first emanated, whether it is called Rembrandt or Vermeer, send us still each one its special radiance.
Only one same reason is shared by all of us: we wish to create worlds as real as, but other than the world that is. Or was. This is why we cannot plan. We know a world is an organism, not a machine. We also know that a genuinely created world must be independent of its creator; a planned world (a world that fully reveals its planning) is a dead world. It is only when our characters and events begin to disobey us that they begin to live.
He saved us in order that He might begin to transform His world into the kind of world that He willed for it to be when He created it. … When Jesus saved us, He saved us to be agents of a great revolution, the end of which will come when the kingdoms of this world will become the Kingdom of our God
In the past we have always assumed that the external world around us has represented reality, however confusing or uncertain, and that the inner world of our minds, its dreams, hopes, ambitions, represented the realm of fantasy, and the imagination. These roles, it seems to me, have been reversed. The most prudent and effective method of dealing with the world around us is to assume that it is a complete fiction - conversely, the one small node of reality left to us is inside of our own heads.
A blessed thing it is to have a friend; one human soul whom we can trust utterly; who knows the best and worst of us, and who loves us in spite of all our faults; who will speak the honest truth to us, while the world flatters us to our face, and laughs at us behind our back; who will give us counsel and reproof in a day of prosperity and self-conceit; but who, again, will comfort and encourage us in days of difficulty and sorrow, when the world leaves us alone to fight our own battle as we can.
A century of partial tolerance gave us Jews access to your world. In that period the great attempt was made, by advance guards of reconciliation, to bring our two worlds together. It was a century of failure. We Jews, we, the destroyers, will remain the destroyers forever. Nothing that you will do will meet our needs and demands. We will forever destroy because we need a world of our own, a God-world, which it is not in your nature to build
Marvel has always been to a large extent the world around us. It has to be evocative of the world around us, the feelings people are feeling. You take real-world concerns and you put a Marvel face on it.
The storyteller is deep inside everyone of us. The story-maker is always with us. Let us suppose our world is attacked by war, by the horrors that we all of us easily imagine. Let us suppose floods wash through our cities, the seas rise . . . but the storyteller will be there, for it is our imaginations which shape us, keep us, create us - for good and for ill. It is our stories that will recreate us, when we are torn, hurt, even destroyed. It is the storyteller, the dream-maker, the myth-maker, that is our phoenix, that represents us at our best, and at our most creative.
None of us exist in a world that is the same world that any of the rest of us live in. The world that's important is the world behind each of our eyes, which is something that none of the rest of us can access.
Phonogram was explicitly about our world. It’s a fantasy which is happening around us all, unnoticed except for those who’ve fallen into its world. In a real way, it’s real. Conversely, W+D is much more overt. The appearance of the gods changes the world, and has changed the world going back. There’s the strong implication that certain figures in our world simply didn’t exist in The Wicked And The Divine‘s world, because they were replaced by a god.
Beyond this world, beyond other worlds, be they inter-dimensional worlds or physical worlds, there is something else, which is the vast unknown eternity.
Life is always trying to love us, but we need to be open if we are to see it. Fear shows us one world; and love shows us another world. We decide which world is real. And we decide which world we want to live in.
It's our insides that make us who we are, that allow us to dream and wonder and feel for others. That's what's essential. That's what will always make the biggest difference in our world.
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