A Quote by Mary Nightingale

On screen you have to look elegant, understated and appropriate, and I used to spend masses on designer stuff, but now I get everything in Zara. — © Mary Nightingale
On screen you have to look elegant, understated and appropriate, and I used to spend masses on designer stuff, but now I get everything in Zara.
I'm a big fan of Zara. My best fashion bargain is a Zara body, they're a staple in my wardrobe and go with everything.
As a designer, as you get used to Kinect, it's such a different experience for me as a designer - for any designer.
Arjun's character has brought discipline in my life. Now everything happens in my life well planned. Initially, I used to get up at any time, but now I get up at appropriate time, and I keep a check on my diet.
With the traditional six-month lead time on the delivery of international show content, designer collections can be outpaced by the so-called fast fashion chains. H&M, Topshop and Zara, or even Target and J. Crew, would have their versions for sale before the designer looks hit the stores.
But I'd play on everything from pop records to a lot of the glam stuff to rock stuff to classical stuff. I used to get called to do all those things, it was great.
Yea, I still get the 'I used to hate you when you were on WWE. I used to despise you.' And now I get 'I look up to you, I have kids too and I want to see what you're doing.' And now they are just interested in my life.
I connect fashion to other peoples' elegance, but not my own. I don't think I've ever felt elegant. I've felt appropriate, but never elegant, and I wonder what that must be like. I like it when other people are elegant - I prefer it - but I can't do it myself. I honestly think it's some form of autistic disorder.
If you've taken the job to be the stylist for a collection, then I think it's important for you to really listen to the designer and look at the board. Look at the wall, look at what the designer is interested in, and then move on to that. But the designer also must not lose sight of the reason for their point of view. Otherwise it won't come across.
I certainly used to wish that I was skinny, lighter-skinned, with long, pretty hair. But only because I used to get made fun of for being the absolute opposite. I didn't see all of that stuff as the American Dream. I just wanted to look normal. Now that I'm older, I really do feel like I am a beautiful girl.
It's not what you spend but how you wear it that counts. The key is often to dress up inexpensive basics with accessories. Something like a beautiful designer bag or belt can make everything else look richer and more luxurious.
I am thrilled to partner with DSW so I can show people how to get that designer look without the designer price tag.
Most filmmakers looked at it as a medium to palm off sub-standard stuff. I don't look at it like that. Your TV screen, mobile screen is as relevant as a cinema hall.
Now I'm in nonfiction. To me any given story has its appropriate form. There might be some story I get involved with that's begging to be a graphic novel, so that will have to be that way. There's always that matching of the content and the form, and that means everything to me. I spend years thinking about what that match is going to be before I can really make it work.
I'm all about the highs and lows. I'm not a designer that thinks you need to spend a lot of money. You can get the look you want between thrift stores and stores like Ikea and Target.
For me, just as a social recorder of 2016, there's a new girl that emerged that can shop in between Zara and designer and still maintain a sense of her personality and identity.
Acting with a green screen has been physically challenging. I look at the green screen and then I'll look somewhere else and everything looks red. It's a bizarre thing where green has an effect on my vision, but it's fun.
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