A Quote by Mary Oliver

Believe me, if anybody has a job and starts at 9, there's no reason why they can't get up at 4:30 or five and write for a couple of hours, and give their employers their second-best effort of the day - which is what I did.
I sometimes have to think about that because if I think about these five things and think of them all, I'll drop the balls, so I really have to prioritize and use every free second I have and maximize it. I wake up early, try to get sleep, but try to write for at least three hours every day. A really nice day for me is writing ten hours. I love that. Hasn't been a lot of that recently, but every free second I have I'm doing that.
When I was in Toronto shooting 'Hemlock Grove,' I'd spend a couple of hours in the makeup trailer every day because my character had all these tattoos. I was telling one of the artists how bored I was - I didn't really know anybody - and he said, 'Pick up a ukulele and start playing. They're 30 bucks for a cheap one.' And I did!
I get up at 7:30 and work four hours a day. Nine to twelve in the morning, five to six in the evening. Businessmen would achieve better results if they studied human metabolism. No one works well eight hours a day. No one ought to work more than four hours.
I still have a full-time day job, which is why it took me five years to write An Ear to the Ground, and why I won't have another book finished by next week.
I get up now at 5:30 in the morning. I practice the guitar for a couple of hours - I do that before I even start my day.
Lest it sound as if I resent my day job, I have to say that my day job is the reason I write, and it has been the best thing for me as a writer.
I call 'Community' the best day job in the world, because between takes, I get to write music. I get to write sketches. I get to write movies. It's the best job ever.
Tulips come up in spring for no reason. Of course, you planted bulbs and now in April the earth warms up. But why? For no reason except gravity. Why gravity? For no reason. And why did you plant red tulip bulbs to begin with? For beauty, which is itself and has no reason. So the world is empty. Things rise and fall for no reason. And what a great opportunity that is! You can start writing again at any minute. Let go of all your failures and sit down and write something great. Or write something terrible and feel great about it.
My morning starts with some form of exercise, and I give two hours - from 5:30 to 7:30 A.M. - to my personal fitness.
If you're doing an hour-long show, you're working movie hours, doing a 12-15-hour day. We work three or four hours a day, and get every third or fourth week off to give the writers time to write. It's the cushiest job in Hollywood.
Software development takes immense intellectual effort. Even the best programmers can rarely sustain that level of effort for more than a few hours a day. Beyond that, they need to rest their brains a bit, which is why they always seem to be surfing the Internet or playing games when you barge in on them.
I get up to write while it's still dark, 5 or 5:30. I start by editing and rewriting everything I did the day before, and that gives some momentum for the day.
Why do writers, say, give up a job in economics and decide to write poetry? Or, why do they give up a job in a bank and decide to paint, like Krishan Khanna? They want to convey something.
For me, the day job comes first. That's why I call myself a diplomat who writes, not a writer who masquerades as a diplomat. If the day job demands it, I won't write at all. I write in what I call 'the crevices of my day job', and that comes only on weekends.
I never was one to go into an office and write. For one thing, I had a job. I was cleaning the ashtrays and setting up the studios at Columbia for a couple of years and working every other week down in the Gulf of Mexico flying helicopters. I didn't really get to just write songs for about five years.
When you are in a room and your job is to write jokes 10 hours a day, your mind starts going to strange places.
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