The phenomena of taking photos and sharing them isn't new, but with Instagram being mobile, both have become cheaper and faster, producing the instant gratification of knowing how our shots look in our palms.
'Instagram' is great if you want to share photos, but you're not that technical. Or, if you're not interested in sharing publicly, 'Instagram' becomes a place where you can not only consume photos and videos from musicians, or whoever, but send them directly to your friends.
Instagram is a media company. I think we're about visual media. I explain ourselves as a disruptive entertainment platform that enables communication through visual media. I don't think it's just photos. There's a reason we don't allow you to upload photos on the Web as albums. It's not about taking all these photos off your DSLR putting them into an album and sharing them with your family. It's not about that. It's about what are you up to right now out in the real world, how can you share that with everyone.
Really, we're just taking people and shifting them from taking photos anyway to taking them on 'Instagram'.
Instagram is amazing, and I enjoy sharing photos there. However, I don't think it is where my photos will go to live.
We're just taking people and shifting them from taking photos anyway to taking them on Instagram.
There are a lot of things that got me into working with photos. The main thing is that I saw both what was being said and not being said with photos in the newspapers... I found out how you can fool people with photos, really fool them... You can lie and tell the truth by putting the wrong title or wrong captions under them, and that's roughly what was being done.
We all have ideas about love and death. We keep a close eye out for them our entire lives, seeking one and avoiding the other, knowing all the while that both are mostly beyond our control. It is a both scary and exciting predicament. In the end, it all depends on how you look at it. One thing is for sure; it is never quite what you expect.
Our impulses toward instant gratification aren't to be trusted. Hoarding our resources isn't a worthy goal. We're created with eternity in our hearts, and our lives have everlasting value.
It used to be that, in astronomy, a small team of people could look at photos of a few thousand galaxies and classify and catalog them relatively easily. But now, with a new generation of robotic telescopes scanning the skies constantly and producing millions of images, that's become next to impossible.
Our culture doesn't ask about preserving the essence of pig; it just asks how can we grow them faster, fatter, bigger, and cheaper. We know that's not a noble goal.
We overvalue nonessentials like a nicer car or house, or even intangibles like the number of our followers on Twitter or the way we look in our Facebook photos. As a result, we neglect activities that are truly essential, like spending time with our loved ones, or nurturing our spirit, or taking care of our health.
We got instant gratification when we would slip in one of our own songs and people would cheer. We started getting a lot of gratification from writing.
I'm trying to look at many, many things in modern life that I believe are going faster, and I'm trying to look at why they're going faster and what effect they have on us. We all know about FedEx and instant pudding, but it doesn't mean we've looked at all the consequences of our desire for speed.
You know, in our culture today, our Western, reductionist, Roman, linear, fragmented... culture, we don't ask how to make a pig happy. We ask how to grow it faster, fatter, bigger, cheaper, and that's not a noble goal.
If I'm blocking shots or changing shots or even preventing players from taking shots, I'm helping the team and we are likely to win when our defense is playing well.
What bothers people more than anything is that I'm an old guy taking photos of them. But maybe if you look at the photos, 20, 30 years later, it's not going to matter who took the photos. I mean, they would just be there. People will hopefully get over that.