A Quote by Mary Pilon
As a producer, it's not unusual to find yourself on the field, backstage, often with a camera crew and living with constant anxiety of accidentally ending up in the shot.
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That shot in "Into the Inferno" somehow popped up while my editor and I were viewing the footage. I immediately said, "That looks like the opening shot because the camera approaches the action very slowly and we have enough time to insert some of the main credits into it." So it was a practical choice. At the same time, you see these tiny figures standing at the rim of something, and all of a sudden, the camera rises further and you find yourself looking straight down into an inferno.
Don't take no for an answer. Don't let yourself get pushed around, and don't be afraid to be the bad guy. Find a producer who will be there to back you up when things get difficult. Make sure you work with key crew that you trust.
While working with a camera crew supervising flight testing of advanced aircraft at Edward's Air Force Base, California, the camera crew filmed the landing of a strange disc object that flew in over their heads and landed on a dry lake nearby. A camera crewman approached the saucer, it rose up above the area and flew off at a speed faster than any known aircraft.
I want to direct more often. The job of a producer brings its own benefit as you start to see the simplicity of film making. But yes there is a constant battle between the director and producer in me.
When I'm working, I look forward to weekends. Film sets give your time a structure; otherwise, one day can run into another. I often find myself in unusual locations, so Friday nights I might head out with some of the cast and crew to explore the town.
Any actor working a long time should know how a shot is set up, where to place themselves, how to handle the lines. I'm a member of the crew, like the best boy, the electrician. What I'm good at is making eyes at the camera.
Mark Crew, the only producer we've ever worked with, has been joining us on tour as often as possible.
Often in each collection, there are three or so seeds of things that come together accidentally to form what appears to everyone else as a final product, but for me, it is never ending.
Often you'd find yourself exhausted backstage during a matinee with glitter on your face, asking a colleague, 'Who's your gas supplier?' At the time, I thought, 'This would make a brilliant TV comedy drama.'
We all have great aspirations for ourselves, but if you expect yourself to change the world tomorrow, then you're going to just drown yourself in anxiety and constant feelings of inadequacy.
You can’t hate the roots of the tree without ending up hating the tree. You can’t hate your origin without ending up hating yourself. You can’t hate the land, your motherland, the place that you come from, and we can’t hate Africa without ending up hating ourselves. The Black man in the Western Hemisphere—North America, Central America, South America, and in the Caribbean—is the best example of how one can be made, skillfully, to hate himself that you can find anywhere on this earth.
The creative process is often wrapped up in bottomless anxiety, and when the world applauds the product of that process, it soothes the anxiety. Briefly. Then the anxiety returns and even intensifies.
I love the rehearsal, as long as it's not over-rehearsed. I love it when the actors can rehearse until we feel really comfortable, and then the crew come in and shoot it. I'm not especially a big fan of rehearsing with the crew and the crew rehearsing and, "Let's rehearse this tracking dolly shot 25 times until it's just right." Television has to be shot a certain way to have a certain look. And sometimes the tried-and-true method is the best.
I don't get tripped up in technology. I use technology as a tool. 'Oldboy' we shot Two Pro 35mm. For 'Da Blood of Jesus,' we shot digitally. We shot the new Sony F55. It's a 4K camera.
A camera is a camera, a shot is a shot, how you tell the story is the main thing.
You stand up to that challenging shot, you put yourself into that shot, and you pour yourself into it confidently. Stand up and commit yourself completely. If you miss it, you miss it certainly. You've done everything you can.
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