A Quote by Mary Pope Osborne
I’m one of those very lucky people who absolutely love what they do for a living. There is no career better suited to my eccentricities, strengths, and passions than that of a children’s book author.
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I feel very lucky to make a living from my imagination; I'm very grateful for that. I like that what I do is create. I'm feeling very lucky to have had the career I had. It's gone much longer and bigger than I ever thought it would be.
I think my game is very suited for clay. It brings out my strengths more so than my other surfaces.
As a traveler, I should probably count myself fortunate to be living in the jet age, and as an author, I know I am lucky to have a book tour at all.
Children are living beings - more living than grown-up people who have built shells of habit around themselves. Therefore it is absolutely necessary for their mental health and development that they should not have mere schools for their lessons, but a world whose guiding spirit is personal love.
I'm not one of these people who is sour about academia. I'm very lucky not to be in academia, but I am an absolute parasite. While I was writing my book on comparative philosophy I was drawing on some fantastic scholars - university based people. The academy is absolutely necessary, but there should also be a role for those bringing it together. It's such a frustration sometimes.
I've been waiting a long time to be a children's book author. I've spent decades getting good enough to write for children. When a kid likes my book, or just likes that I'm visiting and talking to him or her, and I get a hug, I feel reborn. That hug that says you made a connection - there's nothing better in the whole wide world.
Becoming a YA author was actually a very lucky accident. When I wrote the Queen of Everything, I thought it was a book for adults.
Becoming a YA author was actually a very lucky accident. When I wrote the 'Queen of Everything,' I thought it was a book for adults.
There are many readers of the book, who don't know anything about the authors and the artists. There is more than one author. It doesn't matter, if you can't make the reader dive into the story and surround him with that environment and those characters. That's an experience that lasts longer than figuring out who did what. I think that's what makes our working relationship better, it helps us to make a book that feels unique and not like different voices.
And without a doubt it is more comfortable to endure blind bondage than to work for one's liberation; the dead, too, are better suited to the earth than the living.
I love what I do. I'm living the dream. I know that sounds corny, but I wanted to be a DJ from about the age of eleven or twelve, so the fact that I've spent over half my life living out my dream and still doing it at a very high level, I consider myself very lucky. But I've also worked extremely hard and I still work really hard, maintaining my career.
I am very lucky to have a wife who supports me, but the absence from my children was difficult from the moment I took a very difficult decision to have a career which requires so much dedication and focus, just like raising children.
I remain convinced that the most valuable use of time for a newly published author is to write a second book that's even better than the first, and a third that's better than the second, and on and on.
I don't think that children, if left to themselves, feel that there is an author behind a book, a somebody who wrote it. Grown-ups have fostered this quotient of identity, particularly teachers. Write a letter to your favorite author and so forth. When I was a child I never realized that there were authors behind books. Books were there as living things, with identities of their own.
Authors have a greater right than any copyright, though it is generally unacknowledged or disregarded. They have a right to the reader's civility. There are favorable hours for reading a book, as for writing it, and to these the author has a claim. Yet many people think that when they buy a book they buy with it the right to abuse the author.
Our band is very polarizing. There are people who absolutely can't stand us, and people who absolutely can't live without us. I'd rather spark those kind of polar-opposite feelings than have people be indifferent.
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