A Quote by Mary Pope Osborne

I think it might be nice if there was a Cosimo de' Medici around today, offering commissions to the poor, but talented artists. — © Mary Pope Osborne
I think it might be nice if there was a Cosimo de' Medici around today, offering commissions to the poor, but talented artists.
I admire most of all The Renaissance Man, and if it can be said without pretentiousness, I like to think of myself as one, at least in some small measure. Not a Michelangelo, mark you, but perhaps a poor man's Cellini or a road company Cosimo de' Medici ... the Renaissance Man did a number of things, many of them well, a few beautifully. He was no damned specialist.
There are so many talented people in film today. There seem to be poor scripts, but the actors and actresses are very talented.
My parents are artists, so I grew up with my mom having bonfires, seven guitars, and talented musicians and artists around like Jack Hirschman.
All existing art was religious until perhaps a hundred years ago. Within that there's obviously been lots of room for manipulation. I think that's because our current religion is capitalism. Capitalism has the functions of patronage, commissions, control of content, bestowing of space, elevation of certain artists over others based on how much they pander to people in power, the determination of value of the work, all of it. Capitalism commissions artwork now, the market.
There's a lot of creativity in the industry, but I don't necessarily think that the most creative DJs or producers are always the biggest ones. I think it would be nice to see more of an open culture to different music. I think that's happening. With Spotify, I think people are discovering a lot of artists they might not discover otherwise.
I've always been leery of comical artists because I think oftentimes they're hiding the fact that they're not that talented. For example, with Martin Kippenberger, I always thought he was a kind of poor man's Sigmar Polke - also a humorist - but Kippenberger used humor to get away with things he couldn't master.
Certainly, 'creativity' has been a vital plank of New Labour strategy. It not only hands out money with the enthusiasm of a Medici, but also invites the talented arts world into the very heart of government.
I think it is nice to be a little magical. Today we need this. All that we can read in fairy tales or in books. I think somewhere it is all around us. But nowadays we can think that this magic has been killed and I am try to make it survive as long as possible.
Angelina Jolie is just an extremely talented, generous, nice person to be around and to work with.
When we fail to include diverse, talented faces, reflecting both today and tomorrow's America, we send a poor message to our youth and the world.
If black artists can win major commissions and international acclaim, why do we assume that to be black is always to be marginal, or in need of special support? We have to recognize how diversity initiatives can make black artists feel ghettoized and, as some cultural commentators have argued, bear 'the burden of representation.'
Sultan Mehmet had good relations with the Medici family and other powerful Italian clans, especially in Venice and Florence, and at his request, they sent him artists and craftsmen by the dozen.
Today we've learned to celebrate mediocrity. Back in the day we had creative artists; today we have created artists.
The Medici made me and the Medici destroyed me.
Nepotism can be one of the factors that affected the industry in the past, but today, what matters is good content, talented artists and good sound. That's what every music label, director or producer is looking for.
I believe, as artists, I do think we have a responsibility, and there's also a place for a lot of different artists. It is nice when music captures the honesty of the time but also what we're going through in that moment.
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