A Quote by Mary Pope Osborne
When I was four years old, my father, who was a colonel in the army, was stationed in Salzburg, Austria. Across the street from our house was an ancient castle on a cliff. So when I first heard fairy tales, I felt as if the magic of 'Cinderella' or 'Sleeping Beauty' was taking place right in my own neighborhood.
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I was born in Munich, and my father was stationed in Salzburg. For the first three years of my life, I lived in Austria back when the American Army was still in Austria. I grew up subsequently in posts around the country around veterans.
I grew up watching monster movies and horror movies, which I felt were like fairy tales and I think this always spoke to me. Something about that is symbolism - the beauty and the magic which helps me work with film and start making modern fairy tales.
[Fairy tales] are like a journey to the woods and the many ways you can get lost. Some people say it's not a good idea to read fairy tales to anyone under the age of eight because they are brutal and raw. When I was a kid I often felt that kids's books were speaking down to me, but I never felt that way about fairy tales. They are bloody and scary, but so is life.
I think the big thing is the fairy tale. It's taking old folk fairy tales and retelling them in modern day. I think it's just taking you out of everyday life, and everyone loves a good fairy tale.
When I was five, we moved to Virginia and lived inside an old fort that was surrounded by a moat. So when I heard stories of American history, I felt as if those dramas were taking place right in my own backyard.
The most fascinating thing for me is that 'Peter Pan' is a fairy tale, but now, this Filipino kid is a part of the folklore. Can you imagine telling the story of 'Sleeping Beauty' or 'Cinderella,' and all of a sudden there's a Filipino kid in there after all these years?
I grew up with Bible stories, which are like fairy tales, because my father was a minister. We heard verses and prayers every day. I liked the gorier Bible stories. I did have a book of Chinese fairy tales. All the people except the elders looked like Italians. But we were not a family that had fiction books.
In places where a loved one has died, time stops for eternity. If I stand on the very spot, one says to oneself, like a prayer, might I feel the pain he felt? They say that on a visit to an old castle or whatever, the history of the place, the presence of people who walked there many years ago, can be felt in the body. Before, when I heard things like that, I would think, what are they talking about? But i felt I understood it now.
I love fairy tales because of their haunting beauty and magical strangeness. They are set in worlds where anything can happen. Frogs can be kings, a thicket of brambles can hide a castle where a royal court has lain asleep for a hundred years, a boy can outwit a giant, and a girl can break a curse with nothing but her courage and steadfastness.
What I like about fairy tales is the language and the matter-of-fact way of introducing magic, where it's accepted that a fox could talk or a gate could just appear in a wall. I think fairy tales are so psychological.
I have been writing fairy tales for as long as I can remember. Not much has changed in terms of my natural attraction to the narrative techniques of fairy tales. My appreciation of them in the traditional stories has deepened, especially of flat and unadorned language, intuitive logic, abstraction, and everyday magic.
My mother was determined to make us independent. When I was four years old, she stopped the car a few miles from our house and made me find my own way home across the fields. I got hopelessly lost.
This is not the way these tales end," Calliope said firmly. "This is not the way that things end when they get to be tales," Amatus said, "but since ours is not yet told, we cannot count on it. There were a hundred dead princes on the thorns outside Sleeping Beauty's castle, and I'm sure many of them were splendid fellows.
The unrealistic nature of these tales (which narrowminded rationalists object to) is an important device, because it makes obvious that the fairy tales’ concern is not useful information about the external world, but the inner process taking place in an individual.
But when the fairy sang the whole world listened to him. Stephen felt clouds pause in their passing; he felt sleeping hills shift and murmur; he felt cold mists dance. He understood for the first time that the world is not dumb at all, but merely waiting for someone to speak to it in a language it understands. In the fairy’s song the earth recognized the names by which it called itself.
Many people think fairy tales and retellings of fairy tales are only for children, but I'm not the only writer to take an old tale and retell it for a sophisticated adult audience.
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