A Quote by Mary Roach
Sharing a room with a cadaver is only mildly different from being in a room alone. They are the same sort of company as people across from you on subways or in airport lounges, there but not there. Your eyes keep going back to them, for lack of anything more interesting to look at, and then you feel bad for staring.
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Being away with a national side at a tournament can be hard - you train, go back to your hotel, and often, you sit in your room, watching TV or speaking to people at home. If there's no communal area, it can feel like being in prison, staring at the same four walls all the time.
When you're the only woman of color, and you walk into a room of people who don't look like you, most of them with blond hair and blue eyes, it's disheartening. The weirdest part is that I walk in and assume they think I'm auditioning to play a different role than them, but I'm going out for their same role.
When you write, you're alone in a room. And when someone reads a book, they're alone in a room, too, usually. It's a really intimate exchange. And so people ask me where I get the boldness to talk about this or that, but I didn't feel like it required any sort of courage, because I was alone. Sometimes it feels weird for people to read it.
Stand-up comedians know how to walk into a room, even if you're not performing, just read the temperature of a room, and can easily sort of tell what's going on or what people are sort of feeling in the room, and it allows you to sort of approach people.
It's an incredible feeling when you look across the dressing room and see Andres, Leo, Luis and Sergio Busquets, and everyone else. They are players I used to watch on TV or play with on PlayStation, and now I am sharing the same dressing room. It's incredible for me.
Sometimes, literally within a few minutes, you'd be off this amazing roaring scene and back at your hotel room, staring at the patten of the wallpaper. It's very surreal. You're back in your room, and it's dead quiet and really weird.
If you walk into the room, and you're smiling and have a pep in your step, people are going to be drawn to you. If you walk into a room and you're sad and you look insecure, it's bad energy.
But Noah, you're not supposed to do this, and I can't let you. So go back to your room." Then smiling softly and sniffling and shuffling some papers on the desk, she says: "Me, I'm going downstairs for some coffee. I won't be back to check on your for a while, so don't do anything foolish." She rises quickly, touches my arm, and walks toward the stairs. She doesn't look back, and suddenly I am alone. I don't know what to think. I look at where she had been sitting and see her coffee, a full cup, still steaming, and once again I learn that there are good people in the world.
Never open your story with a character thinking, I advise my students. As a further precaution, don’t put a character in a room alone – create a friend, a bystander, a genie, for God’s sake, any sentient creature with whom your main character can converse, perhaps argue or, better yet, engage in some action. If a person is out and doing, it’s more likely that something interesting might happen to her or him. Shut up in a room with only his thoughts for company well, that way lies fictional disaster.
Do you think you could put that boot back on?" he added mildly. "The window can only let in a limited ammount of fresh air and your socks are a tough ripe, to put it mildly." Oh, sorry!" said Horace, tugging the riding boot back on over his sock. Now that Halt mentioned it, he was aware of a rather strong odor in the room.
Sixty-four percent of managers in the U.S. are afraid to be alone in a room with a woman. Mentoring is all about being alone in a room with someone. Let's start talking about this honestly. The lack of equal access is the silent killer for women and no one wants to talk about it.
What I see is trying to make sure that everybody thinks you have more than what you actually have. What’s the point if you actually don’t have it? If you don’t have it, then you don’t have it. Have what you have. Enjoy that . . . The craft is everything. Don’t be afraid of not being the wealthiest person in the room. Be the smartest person in the room. Be the slickest person in the room. Be the most creative person in the room. Be the most entertaining person in the room. Just be in the room.
If you close your eyes and think about where you feel the most safe, you're probably not going to tell me it's in a room full of police. You feel safe where you're around people that love you, when you have food and shelter, when you're being pushed to be your best self and learn.
I feel that being comfortable - being yourself - when you walk into an audition room is a really important thing. I think being able to own every aspect of your life is only going to make you be more comfortable in front of a table of people you don't know.
People ask why I do monochromatic clothes; the reason is because I'm thinking in proportion to the world. In this room, your head is going to look so much more interesting if it's on a monochromatic column. Whereas I think people think of outfits and gets a little too fussy, a little too detailed. I'm always thinking of the line of a person standing with their head in a room and I always feel like a stalk, or a stem, or a pillar is nicer. I always think of everything architecturally.
I'm sorry, I don't know what any of you want, or why guns and knives are being waved around, or why the girl has just been taken hostage, but everyone seems to be acting like having a TALKING SKELETON in the room is perfectly normal. And you, where are your eyes? How can you see? How come the only people with eyes in this room are me and her?
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