A Quote by Mary Roach
To me, NASA is kind of the magical kingdom. I was sort of a geek, and you go there, and there are just these wondrously strange things and people.
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Stuart, who had just witnessed me go through an entire rainbow of emotions and experiences. There was parents-have-just-been-jailed me, stuck-in-a-strange-town me, insane-and-can't-shut-up me, kind-of-snarky-to-the-strange-guy-trying-to-be-helpful me, breakup me, and the extremely popular jump-on-top-of-you-unexpectedly me.
I often wonder if it makes me a less interesting person, because it really is music that I geek out about exclusively. It's just everything to me. Those other things too a much lesser extent - photography, food, people - I geek out about people.
I'm such a horror geek, comic geek and action figure geek. I'm inspired by so much - from Hunter S. Thompson and Quentin Tarantino to 'The Dark Knight' and 'Halloween'. Just show me something that doesn't suck, and I'm happy.
Like Woody Allen actually does this a lot in his movies, its kind of called magical realism where he has just kind of an everyday, these kind of everyday experiences and all the sudden something magical or supernatural will come into to and I just, I love that and I think everybody can kind of - everybody wants that at some point in their life.
People ask me all the time: 'What is it like to be a woman at Google?' I'm not a woman at Google, I'm a geek at Google. And being a geek is just great. I'm a geek, I like to code, I even like to use spreadsheets when I cook.
People say things to me like, 'It's really cool that you don't go out and get drunk all the time and go to clubs.' I appreciate that, but I'm kind of an introverted kind of person just by nature.
The inner sort of consumer identity got the best of people. And everybody just wants things for free. And that's created this strange kind of cheapness to everything, where everything becomes throwaway. And people, I think, have started to undervalue things, maybe because there's too much, maybe because it's too easy to make, but I think mostly just because, somehow, that's the pattern that got set. And I think that's regrettable.
I'm that mild-mannered guy, but when we get on that stage, I think there is a magical force, and everyone sort of turns into a superhero. I get my gear on and I just go to battle. When you hit that stage, something comes on. It creates a different kind of energy.
I do think it's interesting when people are born into families that at one point had huge amounts of money and that money has kind of vanished over the generations and they're sort of the last vestiges. You see that these people live really quite modestly and yet, somehow the way the clothes fit them, they still have some kind of strange genetic advantage over the rest of us. There's always these weird things in which you detect the legacy. There's a pair of cufflinks that you look at and go, "Oh, my God! These had to come from the Romanovs."
We actually look to the scientific community to kind of come back to NASA and tell us what the priorities should be. And then at NASA, we try to look within our budget and say, 'What can we accommodate, and what are the most important things for the nation?'
There are so many different things that lend themselves to what makes a song magical, that go beyond just the lyrics or the composition. But arrangement and production and performance have such huge stakes in what makes that sort of lightning-in-a-bottle moment.
But [Sunday] as you saw, it was obviously [the media] took some more than initiative to try to get me to kind of go down the wrong path. I know the last two teams that I've been on, I felt like I left those teams prematurely due to media interviews that I've done and things kind of taken out of context and they created sort of a media whirlwind in the locker room and things kind of went downhill from there. I'm just trying to do the best job I can do as far as answering the questions and trying to be a better teammate and not try to throw people under the bus.
NASA calls stuff nominal instead of phenomenal, like it really is. So I have given up that there is going to be a balance and NASA is going to do certain things and we are finally in a state of existence where small groups of individuals can do extraordinary things, funded by single people.
We need to be very thoughtful about how we propose to spend the money that NASA does have for space exploration. And we need to be clear that there's the human spaceflight part of NASA, and there's the science space part of NASA, and there's also aeronautics. Those are all very different things that NASA does.
It's weird because I am accessible to people on Twitter, and I can choose to read good things or mean things, and people can reach out to me directly and tell me how much they hate me or love the song. It's a very strange new paradigm as an artist to find yourself among this kind of connectivity.
This might sound strange, but I've never really been a person who has goals of any sort. I tend to just work in the moment, day-to-day, try to make things and make decisions that feel good, and it tends to guide me where I want to go in the long-term.
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