A Quote by Mary Roberts Rinehart
Every writer knows the terror of an unexpected success. How to carry on? How to repeat it?
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No one really knows how to deal with the unexpected. How do you rehearse the unknown?
The story knows itself better than the writer does at some point, knows what's being said before the writer figures out how to say it.
Women of all looks, shapes, sizes, everything, if they recognize how beautiful they are-because they all are-then they carry it that way. And you can see that. Confidence is reflected in how they walk and how they dress and how they speak and how they carry themselves. It's just amazing. And that can turn anybody's head pretty quick, especially mine.
One of the most useful parts of my education as a writer was the practice of reading a writer straight through - every book the writer published, in chronological order, to see how the writer changed over time, and to see how the writer's idea of his or her project changed over time, and to see all the writer tried and accomplished or failed to accomplish.
After one has been in a lowly position, one knows how dangerous it is to climb to a high place, Once one has been in the dark, one knows how revealing it is to go into the light. Having maintained quietude, one knows how tiring compulsive activity is. Having nurtured silence, one knows how disturbing much talk is.
I have always loved Reese Witherspoon and Amy Adams as role models - I read all their interviews and agree with the fundamentals of how they manage the limelight and also how they look and carry themselves. A huge part of beauty is how you carry yourself and how you deal with certain situations.
You have to understand that people feel threatened by a writer. It's very curious. He knows something they don't know. He knows how to write, and that's a subtle, disturbing quality he has. Some directors without even knowing it, resent the writer in the same way Bob Hope might resent the fact he ain't funny without twelve guys writing the jokes. The director knows the script he is carrying around on the set every day was written by someone, and that's just not something that all directors easily digest.
A good writer is not someone who knows how to write- but how to rewrite
No grand inquisitor has in readiness such terrible tortures as has anxiety and no spy knows how to attack more artfully the man he suspects, choosing the instant when he is weakest; nor knows how to lay traps where he will be caught and ensnared as anxiety knows how, and no sharp-witted judge knows how to interrogate, to examine the accused, as anxiety does, which never lets him escape.
Your success as a writer will probably not depend on how well you write so much as in how you handle rejections.
Education is the knowledge of how to use the whole of oneself. Many men use but one or two faculties out of the score with which they are endowed. A man is educated who knows how to make a tool of every faculty, how to open it, how to keep it sharp, and how to apply it to all practical purposes.
If you have a success, the terror is how on earth can you follow it up.
I think my wife ... is sure of my loyalty.... She knows how hard I work. She knows how tired I am every night. She knows I have fifty or sixty reporters watching me day and night.
How can Blair fight a war on terror? Terror is not an ideology or an army; terror is a technique.
I'll carry on, carry over, carry forward, Cary Grant, cash and carry, carry me back to Old Virginia, I'll even 'hari-kari' if you show me how, but I will not carry a gun!
Remember, too, every day, and whenever you can, repeat to yourself, Lord, have mercy on all who appear before Thee today. For every hour and every moment thousands of men leave life on this earth, and their souls appear before God. And how many of them depart in solitude, unknown, sad, dejected that no one mourns for them or even knows whether they have lived or not!
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