A Quote by Mary Rodgers
Rodgers & Hammerstein shows have a purity of unironic emotion that imprints itself upon people's hearts. They seem to touch our feelings so effortlessly. They have a scope and ambition that's missing from many musicals now.
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I'm a Mexican girl from California, and I never grew up thinking I could be in a Rodgers and Hammerstein musical. I didn't really see myself in that. Not that I didn't grow up loving Rodgers and Hammerstein, but I don't know - I just never put myself there.
In the Rodgers and Hammerstein generation, popular hits came out of shows and movies.
I think we sublimated our Broadway desires by doing theater in Hollywood - not on stage but by doing the movies of 'Chicago' and 'Hairspray' and also musicals on TV. We did Rodgers and Hammerstein's 'Cinderella' and 'Gypsy' and 'Annie.' Even 'Smash' was like doing theater.
My grandmother had always played show tunes from classic musicals at the piano when we were growing up, so that helped me fall in love with Rodgers and Hammerstein, Cole Porter, Lerner and Loewe, etc.
I've never met a Mormon I didn't like. They're really nice people. They're so Disney. They're so Rodgers and Hammerstein.
I feel very fortunate to have been associated with people such as Rodgers and Hammerstein. I think they were geniuses of their time.
I've been singing Rodgers and Hammerstein all my life.
When I was 12 years old and first decided I wanted to be a songwriter, the people that I always looked up to were Rodgers and Hammerstein, Leonard Bernstein, and people like that.
I don't know many ambition- ridden people who really enjoy themselves. Even success doesn't seem to still the insatiable, gnawing hunger of their ambition. Ambition is a good gift, but it cannot be all.
We've lost our sense of outrage, our anger, and our grief about what's going on in our culture right now, what's going on in our country, the atrocities that are being committed in our names around the world. They've gone missing; these feelings have gone missing.
The genius of Rodgers and Hammerstein is that their songs become a part of the DNA of the audience.
In their plush melodies and plummy platitudes, many Rodgers-and-Hammerstein songs were secular hymns, which so insinuated themselves into the ear of the Eisenhower-era listener that they became the liturgical music for the American mid-century.
It may sound amazing to people today, but Rodgers and Hammerstein were considered by - how can I put it? - the sort of opinion-making tastemakers and everything to be 'off the scale as sentimental.'
I have only one bit of advice to beginning writers: be sure your novel is read by Rodgers and Hammerstein.
I have only one bit of advice to the beginning writer: Be sure your novel is read by Rodgers and Hammerstein.
It is impossible to live pure lives until we have pure hearts. Many people today are trying to put the cart before the horse. They are teaching purity of motives, desires, and actions to old, deceitful hearts! No wonder we have ended up such moral failures, in spite of our vaunted knowledge and psychological approaches.
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